In recent years, Scottish writer Doug Johnstone has become my go-to author for fast-paced psychological thrillers. I’ve read Smokeheads (2011), Hit & Run (2012) and Gone Again (2013) — all reviewed here — and he even did his Triple Choice Tuesday for me back in 2011. Somehow I missed out on last year’s The Dead Beat — probably because it came out while I was in the throes of part-time study — but this year I made sure not to miss his latest novel, The Jump, which was published in the UK by Faber & Faber last week.
A suicide bridge
The story plays out in the shadow of the Forth Road Bridge, a suspension bridge that spans the Firth of Forth in Scotland. It was from this structure that Ellie’s 15-year-old son jumped and killed himself. Now, still grieving for the loss of her only child, she spots another teenager about to take the plunge. She talks him off the ledge — literally — and takes him home to make sure he’s alright.
But what Ellie doesn’t realise is that things aren’t quite what they seem. Seventeen-year-old Sam seems reluctant to get in touch with his own family, so Ellie hides him away in her son’s old bedroom, not sure whether to tell her husband, Ben, that he’s there. Later, she moves him to their boat on the marina, where it’s unlikely he’ll be found or disturbed.
But then things begin to unravel when she spots bloodstains on Sam’s t-shirt. She begins to wonder if Sam is being straight with her. Is there more to his story than meets the eye? Her secret, often risky, investigations lead to one shocking revelation after another and before long the story is racing along at Formula One pace, and you’re never quite sure what’s going to happen next. It is, quite frankly a superb — if slightly far-fetched — ride.
An intriguing lead character
Perhaps the most interesting aspect of the book, aside from the astute plotting and the way in which the narrative is punctuated by one surprise after another, is the character of Ellie. She’s no cardboard cut-out. This is a complex woman, beset by grief, and motivated by the knowledge that she has a second chance to save someone, even if that someone is a complete stranger. She’s strong-willed, with nerves of steel, and I loved her determination and resourcefulness.
Equally, Ben, her husband, is a fascinating character: he’s buried himself deep into suicide conspiracies to help cope with the loss of his son, so everything he says and does is tempered by a mild form of lunacy.
Together, they make a formidable pair, and even though their actions are sometimes slightly dubious — and often criminal — you can’t help but think that such questionable behaviour could be explained by such terrible grief.
A sensitive and mature novel
While The Jump is ultimately a sensational novel that brims with suspense and danger, it explores the issue of suicide with great sensitivity. Clearly, Johnstone has done his research — it feels authentic and believable and the mother’s emotions seem spot-on. Even the stresses and stains within the marriage, the different ways that Ben and Ellie have dealt with their grief, elevates the story above the usual run-of-the-mill thriller.
I also like the way that South Queensferry and the waters of the firth have been depicted with faithful and exacting detail, making these places characters in their own right and adding a distinctly Scottish flavour to the book.
I’d argue that this is Johnstone’s most mature work yet — he’s shied away from a big bombastic ending, and left things a little open-ended, which I liked, and he’s reined in some of the over-the-top shenanigans of past efforts. I just want to know when the film rights are going to be sold, because this would make a terrific movie — I can already see Kelly MacDonald and Ewan McGregor in the lead roles!