Fiction – hardcover; Serpent’s Tail; 432 pages; 2018.
If you like your historical fiction with a good dose of adventure and a smidgen of romance then you really must put Esi Edugyan’s Washington Black on your list.
Shortlisted for both this year’s Man Booker Prize and the Giller Prize, this fast-paced story follows the life and times of George Washington Black, a young slave rescued from a Barbados sugar plantation by an unexpected source: the plantation owner’s younger brother.
“Titch” Wilde, who is a secret abolitionist and a mad inventor, needs someone of a certain weight to fly in his “cloud cutter” — one of the world’s first hot-air balloons — which he is building. Step forward 11-year-old “Wash”, who is taken from the care of Big Kit, the woman he doesn’t realise is his mother, and promptly elevated to Titch’s personal servant and confidante, changing the course of his young life forever.
Under Titch’s care, Wash not only discovers he has an extraordinary talent for drawing, he embarks on a wild journey that traverses oceans and continents in a bid to escape the slave catcher who wants him returned to Barbados.
A dizzying page-turner that takes in scientific polar exploration, the windswept beaches of Nova Scotia, the aristocratic manor houses of 19th century London, the canals of Amsterdam and the deserts of Morocco, this is a true adventure story that brims with menace and tension and love.
But it’s not a perfect novel. There are paradigm shifts, which seem to come out of nowhere and are disorienting for the reader. Some of these shifts feel too far-fetched to be believable and this serves to ruin the perceived authenticity of Wash’s tale. And then, when Titch disappears from the narrative at about the half-way point, suddenly the heart of the story — the mysterious and intriguing relationship between him and Wash — is gone: it’s like taking a cake out of the oven too early so that it collapses.
That said, Washington Black is a brilliant example of terrific storytelling. The characters are vivid and well drawn, the dialogue is authentic, the setting and period details pitch perfect. It’s an original and audacious plot-driven novel. And much like Edugyan’s previous novel, Half Blood Blues, it is a truly entertaining read. I enjoyed it immensely — but I had to suspend belief to do so.
This is my 1st book for 2018 Shadow Giller Prize.