Non-fiction – Kindle edition; Brow Books; 244 pages; 2018.
Writer and cultural historian Maria Tumarkin claims her latest book, Axiomatic, is NOT a collection of essays. “It is a book with chapters that are just a little unorthodox in the way they are structured and sit next to each other,” she says in an interview with the Stella Prize, for which she has been shortlisted. (You can read that full interview here.)
However you choose to describe Axiomatic, I think it’s fair to say it is not easy to box in: it doesn’t fit a genre, seeing as it’s a heady mix of storytelling and reportage. To my mind, these pieces (or chapters) wouldn’t be out of place in a “high-brow” magazine — for instance, a colour supplement that comes with a weekend broadsheet — and as such I’d class them as journalistic features.
Content-wise, each piece looks at an axiom — an accepted truth — and examines, often in great detail and with much intellectual rigour and anecdotal evidence, as to whether it holds or can be debunked.
These five axioms are:
- ‘Time Heals All Wounds’;
- ‘Those Who Forget the Past are Condemned to Repeat It’;
- ‘History Repeats Itself’;
- Give Me a Child Before the Age of 7 and I’ll Give You the (Wo)Man’; and
- ‘You Can’t Enter The Same River Twice’
I’m not going to review each chapter other than to say there are common themes running throughout Tumarkin’s work. She is very much focussed on time and how its passing can shape the past, present and future. She looks at its impact on the personal and the political, how it shapes our understanding of ourselves, our families, our popular culture and our institutions.
‘There is chronological time,’ Valent tells me, ‘and there is experiential, cyclical time. This time has an emotional meaning. Existential. It is like the way peasants think about harvest: time to reap and time to sow. Time to live and time to die.’
But she looks at very dark and disturbing subjects to do this — from secondary school students who commit suicide in the brilliant opening chapter, which is one of the most thought-provoking pieces I’ve read in a long while, to a child holocaust survivor accused of abducting her grandson and hiding him in a makeshift dungeon, which reads like something that fell out of a literary crime novel — and always with a keen eye on intergenerational trauma, the moral necessity of protecting children, love, grief and survival.
This is the story sentenced to constant retelling, about how people are born into things, and fate thinks intergenerationally. Parental pain, sadness, abuse (be it suffered or inflicted), indifference, withheld love, riding and exploding over children’s lives, like tanks.
All the while Tumarkin writes in gleaming, silky prose, using a mix of short sentences and longer ones, creating a rhythm that is both hypnotic and alluring. In all cases, she inserts herself in the story, and while she’s clearly her own person, with her own style and her own voice, there are echoes of Janet Malcolm and Helen Garner in her work.
Axiomatic is the kind of book that deserves a wide audience, not only because it deals with challenging subjects in a thoughtful, considered and wholly original way, but also because it is a timely reminder of our own humanity and our own resilience. This is a five-star read for me.