Non-fiction – paperback; Picador; 374 pages; 2018. Translated from Farsi by Omid Tofighian
To be honest, I don’t know where to begin with “reviewing” this book. I read it more than a month ago now, and every time I sit down to try to commit my thoughts to this blog the words won’t come.
It’s an astonishing and lyrical account of a cruel and inhumane life at the hands of a cruel and inhumane government. It makes for very powerful reading, but it also serves to make the reader feel powerless. I have not been able to shake the uncomfortable fug that enveloped me as I read this.
For those of you who don’t know, No Friend but the Mountains: Writing from Manus Prison is a true-life account of what it is like to be caught up in Australia’s shameful offshore immigration detention system. It was written by Behrouz Boochani, a Kurdish-Iranian writer, journalist, poet, scholar and filmmaker, who has been detained on Manus Island since 2013.
Boochani’s tale, tapped out on a mobile phone, text message by text message, and smuggled out via WhatsApp, was translated from Farsi by Omid Tofighian, and it is bookended by a foreword by Australian author Richard Flanagan, a lengthy translator’s introduction explaining how the book came into being and a similarly lengthy essay by the translator at the very end.
It first came to prominence earlier this year when it won the Victorian Prize for Literature — the single most valuable literary award in the country — and the Prize for Non-Fiction at the Victorian Premier’s Literary Awards 2019. But since then it has also won the New South Wales Premier’s Literary Award, the Australian Book Industry’s non-fiction book of the year and Australia’s National Biography Award.
Ironically, Boochani has not been able to accept any of those awards in person. Although the Manus Island detention centre closed in 2017, he has remained on the island since then — effectively stateless.
An collaborative memoir
The memoir — which Tofighian describes as “literary experimentation” and a “collaborative effort between author, translator, consultants and confidants” — reads very much like an adventure tale to begin with, before morphing into an almost Kafa-esque depiction of prison life.
It charts how Boochani decided to flee Iran when the offices of Werya, the Kurdish magazine he co-founded and produced, was raided by the Iranian Revolutionary Guard, which arrested 11 of his colleagues. Fortunately, he was not in the office that day. In fact, he never went back. Instead, he went into hiding and eventually made his way to Indonesia, with a view to making a perilous ocean crossing to seek asylum in Australia.
But things did not go as planned. The Indonesian boat he was on, overcrowded with some 60 asylum seekers, was intercepted by the Australian Navy. Everyone on board was taken to Christmas Island.
Early in the morning, at six, guards came in like debt collectors and heaved us out of bed. Within a few minutes they took us to a tightly confined cage. It is now almost two hours since they brought us here. These hours have been really tough. It is hard being imprisoned…being locked in a cage. We have now been in prison on Christmas Island for a whole month. It is hard being a prisoner.
From there, Boochani was moved to the Manus Island Regional Processing Centre, a detention centre in Papua New Guinea operated by the Australian Government. He was stripped of his name and, like every other prisoner, became known as a number only.
I can’t believe what is happening to me /
All that hardship /
All that wandering from place to place /
All that starvation I had to endure /
All of it… /
So that I could arrive on Australian soil /
I cannot believe I am now being exiled to Manus /
A tiny island out in the middle of the ocean
The rest of the book is a mix of eloquent, heart-felt poetry (as per the quote above), bitter diatribes about his predicament and observational stories about fellow prisoners and guards told with amazing psychological insight. It’s an almost soporific account of day-to-day life on Manus and what happens — or doesn’t happen — on those endlessly long, supernaturally hot days in detention.
It brims with a slow-burning anger but it is also filled with perplexity and confusion, for how could a country, so highly regarded, so wealthy and free, treat innocent people in such a cruel, dehumanising way?
Boochani’s story is littered with suicides (much sought-after razor blades being the instrument of choice) and horrendous examples of already traumatised men, many fleeing persecution and certain death at the hands of authorities in their respective homelands, now enduring further mental anguish.
His account is a valuable insight into what happens to men, cut off from family and vital support networks, when they are subjected to inhumane treatment. He depicts the infighting, the emotional outbursts, the acts of moral cowardice, the riots, the hunger strikes, the way that certain people cling to their traditions and cultures when everything around them is foreign and frightening.
And he writes about his own inner turmoil, his desire to be alone, to not build allegiances with anyone, to quietly observe — and secretly document — all that he sees around him.
Compelling and confronting
There’s no doubting that No Friend but the Mountains: Writing from Manus Prison is an extraordinary achievement. The contents are compelling and confronting, as is the story behind its creation.
Reading it is to become almost immune to the shock of all that Boochani endures. I suspect his writing, not only of this book but the many articles he has penned for the Guardian, the Sydney Morning Herald, The Financial Times et al while being imprisoned, has given him the creative outlet he needs to preserve his sanity — and his hope. He is a very cerebral person and a deep thinker.
It’s the kind of book that induces anger and shame in the reader. But it’s the sheer injustice of this system and the total lack of empathy and compassion towards our fellow humans that leaves me feeling most perplexed. I cannot comprehend it. Nor can I comprehend the waste — of time, of energy, of productive human lives — to maintain a policy that is so hostile and destructive.
Sadly, the people who need to read No Friend but the Mountains most — those that think asylum seekers should go back to where they come from, the policymakers, government officials and contractors that prop up this system — won’t read it. But if you’re an Australian, I almost think it’s your duty to do so, if only to know what is being done in your name.
For another take on this book, please see Bill’s review at The Australian Legend.
This half-hour documentary (above) is a moving account of how Boochani wrote the book and smuggled it out.
This is my 13th book for #20BooksOfSummer. I bought it on Kindle after it won the Victorian Prize for Literature, but the copy I actually read was borrowed from Fremantle Library.
15 thoughts on “‘No Friend but the Mountains: Writing from Manus Prison’ by Behrouz Boochani”
I can’t make myself read it, from Bill’s and other reviews from when it was first published. I know that it would make me feel helpless and angry too.
I watch those Hong Kong protestors link hands around the bay and I think of their heroism in confronting Beijing when they know full well what happened last time protestors took on Beijing, and I wonder why we Australians aren’t out there doing the same thing to end this horror.
I’m afraid Australians have had it too easy for too long (29 YEARS of uninterrupted economic growth!!) and few people understand how great they’ve got it. Instead of wanting to share their good fortune with everyone, they just kick the ladder away. I cant tell you how mad that makes me… I’ve experienced 10 years of British austerity, been made redundant twice and yet I was one of the lucky ones… yet when I tell people here I don’t have a car, much less a boat, swimming pool or a property, the shock on their faces has to be seen to be believed. I guess this is a long way of me saying Australians aren’t out there protesting because most people don’t give a shit
Some of the loudest voices are migrants…especially in the western suburbs of Sydney.
Yes. It’s a compelling, overpowering book isn’t it. And Boochani is such a supremely talented writer. We have all handed this government such extreme powers, almost without a whimper, that is all but certain that soon young Australian demonstrators will be labelled terrorists and treated this way too.
He’s an amazing writer… and Tofighian is a brilliant translator. Your comment reminds me of the following:
First they came for the socialists, and I did not speak out—
Because I was not a socialist.
Then they came for the trade unionists, and I did not speak out—
Because I was not a trade unionist.
Then they came for the Jews, and I did not speak out—
Because I was not a Jew.
Then they came for me—and there was no one left to speak for me.
Yes. I was thinking of that too. It sometimes feels like you have to chose between being an activist and having a life. But my kids are having a shot at doing both at once, which makes me very proud. My youngest is the Perth end of Mums4Refugees, showing us all what can be done.
Oh, that’s brilliant. I think millennials are much more engaged with activism than we give them credit for. I worked with many in previous job and they were so “woke” about all kinds of issues, and so kind and compassionate, it did give me hope for the future.
Thank you very much for this post, very informative and helpful! I have only recently discovered and learnt about the story of Boochani but I find it fascinating. I have published an article on my blog about what I think we can learn from his story. It would be great if you could check it out and let me know your thoughts! Thanks 🙂
Thanks for leaving a comment… and apologies I’ve only just discovered it in my “moderation” queue. Boochani’s story should be a wake-up call to policymakers and governments but I’m afraid as the world becomes more and more polarised it simply falls between the cracks…
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I am surprised the story even made the news headlines but I am happy that it did because it allowed me to gain a deeper understanding into his story