Fiction – paperback; Affirm Press; 270 pages; 2021. Review copy courtesy of the publisher.
Glasgow-based Australian writer Helen Fitzgerald does a nice line in dark, edgy fiction. I’ve read six of her novels and they have all been wildly entertaining if somewhat over-the-top. I quite like them as “palette cleansers” because they are so different to anything else out there.
Ash Mountain, which was published in the UK by Orenda Books last year and has just been published in Australia by Affirm Press, is cut from a similar cloth — with one important difference: this is her first novel to be set exclusively in Australia.
It’s billed as a “disaster thriller” because the storyline revolves around a terrifying bushfire and explores events leading up to the tragedy and what happens on the actual day of the fire.
I must admit that about half-way through I wondered whether this book could actually be described as Southern Cross crime, because I was struggling to find the crime in it. It’s there though, hidden in the dark folds of the time-hopping narrative, if you look closely enough. But don’t expect it to tick all the boxes that you might normally associate with the genre. It’s actually more litfic than crimefic.
Small town life
Set in a small town north of Melbourne, Ash Mountain revolves around a single mother, Fran, who has returned to the country after many years away to look after her bed-ridden father, the victim of a stroke, in the family home.
She has two children by two different fathers: 29-year-old Dante, whom she had when she was a teenager at school following her first sexual experience, and 16-year-old Vonny, whose father is indigenous. She cares for both very much and has quite a healthy, frank and empathetic relationship with both.
The narrative, which is comprised largely of flashbacks spanning a period of 30 years, shines a light on what it is like to grow up in a claustrophobic, predominantly Catholic community in rural Victoria, where everyone knows everyone else’s business, isn’t afraid to cast judgement and where tensions either fester or explode in the form of dust-ups in the pub or local swimming pool.
Fran thought she had escaped all that, but moving back after two decades in Melbourne has come somewhat of a shock. She can’t shake the feeling that she’s still at school, being stared at because she’s 15 and pregnant, or being pitied because her glamourous Italian mother has died prematurely in a car accident.
The third-person narrative swings between school life three decades ago and the current day, and is largely told from Fran’s perspective. It jumps around a lot, which can be disorientating for the reader. Occasionally I had trouble keeping up with what was going on. But slowly, once I understood the dynamics of the family and realised FitzGerald was drip-feeding information for me to process, it began to make much more sense and I found it difficult to put down.
The natural disaster at the heart of Ash Mountain is a raging bush fire on Australia Day (or Invasion Day, as Fran calls it throughout). It’s easy to think that this is what the book is about — indeed, it features some heart-hammering moments and is filled with terrifying imagery, such as when Fran discovers some burnt out cars, complete with bodies inside, parked in what should have been a place of safety — but it’s more subtle than that. If you read closely enough you will see that the fire brings out the best — and worst — in people, but it also exposes the town’s deep secrets, which have festered unchallenged for decades.
It’s difficult to pigeonhole this novel into any single category. This author used to be classified as “intelligent chick lit” and there’s no doubt it features her blackly comic take on the world, complete with her trademark snark, bad language and whip-smart dialogue, but Ash Mountain feels more mature than anything else she’s written.
I wasn’t sure I liked it to begin with, but the “mystery” at its heart, its brilliant cast of characters and the subtle social commentary running throughout made this an absorbing read, and one that will linger in my mind for a long time to come.
In her afterword, the author claims it was optioned for TV before the book was written. She struggled with the screenplay and decided she needed to put it in prose first. I’m glad she did.
About the author¹: Helen FitzGerald is the bestselling author of 10 adult and young adult thrillers, including The Donor (2011) and The Cry (2013), which was longlisted for the Theakstons Old Peculier Crime Novel of the Year, and is now a major drama for BBC1. Helen worked as a criminal justice social worker for more than 15 years. She grew up in Kilmore, Victoria, Australia. She now lives in Glasgow with her husband. (1. Source: Affirm Press website)
Where to buy: This book is widely available in most territories.
This is my 3rd book for #SouthernCrossCrime2021, a month-long celebration of crime writing by authors from Australia and New Zealand. You can find out more by visiting my Southern Cross Crime Month page. It is also my 3rd book for #AWW2021.
13 thoughts on “‘Ash Mountain’ by Helen Fitzgerald”
Affirm sent me a copy of this, but I don’t think it’s my kind of book.
(I haven’t read The Cry but I thought the TV series was absurd.)
I think you’re right, Lisa, I don’t think this is your kind of book. I liked the way The Cry focused on the media and how it is possible to spin almost anything. The TV series resulted in something like 30,000+ hits on my blog in one day. I thought I was undergoing a denial of service attack. Lol.
Ha ha, that’s hilarious! What a way to get hits!!
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This sounds quite interesting Kim, using a natural disaster as a setting for a crime.
That’s the thing with this author: all her books are totally original. She has a fierce imagination indeed!
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I’m sort of tempted, though I worry about a bushfire story being written from Gladgow. And I can’t think of a predominately Catholic community in rural Victoria – Killarney maybe, near Port Fairy. Though you say Italian mother, so that would make more sense, up Shepparton way.
(You’re setting a cracking pace – we’re going to see a lot of new crime fiction)
The bushfire stuff is very authentic. If you grow up in bushfire country and have been evacuated (as I have a couple of times in my childhood), it never leaves you. I suspect that’s the case with this author, who is around the same age as me. (I think she comes from Kilmore.)
I would argue that most of South Gippsland is majority Catholic. When I worked at The Star I was the only non-Catholic in the office (of 20+) and most of my friends at secondary school were Catholic. There’s now a Catholic secondary school in the town.
As for cracking pace, the books I’m reviewing now were read last month. I’m generally 3 to 4 reviews behind 🤷🏻♀️
I started reading this last month but I don’t think I was in the right mood for it at that time. It frustrated me that it was jumping around and I just couldn’t concentrate enough to get the time frame straight. I haven’t abandoned it though, just set aside for when I am ready.
I struggled with this one too. I found that reading it in large chunks helped and once I understood who was who and what was happening it suddenly became very gripping.
That’s a good tip for when I eventually get to read it