Non-fiction – paperback; Hachette Australia; 235 pages; 2021. Review copy courtesy of the publisher.
In recent years Tanya Bretherton has made a name for herself as a chronicler of historical true crime. I’ve read a couple of her books now — The Suitcase Baby (2018) and The Killing Streets (2020) — and found them interesting and well written.
In this new book, The Husband Poisoner, she turns her forensic lens towards women who killed in post-World War II Sydney using poison as their “weapon” of choice.
The title is a bit of a misnomer though because the cases that feature in this book aren’t solely focused on women who killed their husbands. Caroline Grills, for instance, did away with her stepmother, a family friend, her brother and his wife!
The thallium wave
Written narrative non-fiction style, Bretherton weaves her true crime tales with sociological insights and shows how poisoning was “fashionable” in the 1950s because it was undetectable. The poison used, thallium, had no smell and was tasteless, so could be added to meals or a cup of tea and the person who consumed it would be none the wiser. And it was readily available as an over-the-counter poison designed to kill rats.
Between March 1952 and April 1953, ten deaths and forty-six hospital admissions [in Sydney] were attributed to thallium. It was an alarming statistic given exposure to thallium could only be traced to one source — the product known as Thall-Rat.
The author focuses on two specific NSW cases — Yvonne Fletcher, who poisoned two husbands, one after the other, and the aforementioned Caroline Grills — before turning her attention towards the two police detectives who made a name for themselves solving these problematic crimes.
I say “problematic” because detecting the use of poison was difficult, and murders could be “made to look like something else entirely” so that “no one even realised that a crime had been committed”. For example, poor Yvonne Fletcher’s first husband died an agonising death that stretched over years — doctors put his poor health down to various issues, including “nervous tension and anxiety”, but no one suspected his wife was adding rat poison to his food!
The inclusion of old recipes at the end of each chapter, such as split pea soup and jam roly-poly (which come from the author’s own family cookbook), hammers home the point that this crime was wholly domestic and more often than not carried out by women, who, during the 1950s, spent their lives in the kitchen. This made it even easier for a disgruntled woman to get rid of a family member in such a deadly but seemingly innocuous manner.
If I was to fault the book in any way it is the creative element in which conversations and feelings are “invented” in the interests of telling a good story. This is the journalist in me kicking back against this style of writing which tends to blur fact and fiction. But I understand why the author has taken this approach: it makes the narrative more compelling and it’s easier to identify (and empathise) with characters.
The segue into the police investigation near the end of the book feels slightly clunky, too, almost as if it has been added as an afterthought. That said, it’s an intriguing look at the way in which NSW Detectives Fergusson and Krahe pinpointed the role of thallium in various murders and worked out an approach to catch the killers. Such an approach, while effective, was not without its own set of ethical problems. The pair were later recognised as “key figures in the institutionalised corruption of the NSW police force from the 1940s through to the 1970s”.
The detectives postulated that thallium killing was different to other kinds of killing. It was not violent, at least in the traditional sense. Thallium murderers did not usually seek to strike one devastating blow; it was not liked taking aim and firing a weapon into lethal target zones like the brain or the heart. Thallium killers were capable of patiently exploiting the poison’s manifold secrets. Thallium was a slow burn, and killing with it required a certain kind of disposition: deceitful. In turn, efforts to catch these criminals required a certain kind of investigation: deceitful.
The Husband Poisoner is a riveting expose of the darker side of Australian life after the Second World War. As well as looking at a series of disturbing murders, it puts things into context by providing a fascinating account of post-war social change. It’s by turns macabre and sinister, eye-opening and, dare I say it, blackly comic.
Shelleyrae at Book’d Out has reviewed this one too.
About the author¹: Tanya Bretherton has a PhD in sociology with special interests in narrative life history and social history. She has published in the academic and public sphere for 20 years and worked as a Senior Research Fellow at the University of Sydney for 15 years. Dr Bretherton’s specialty is converting detailed research into thought-provoking works which are accessible to a general readership. Currently she works as a freelance researcher and writer. Her first book, The Suitcase Baby, was shortlisted for the Ned Kelly Award, the Danger Prize and the Waverley Library ‘Nib’ Award. Her second book The Suicide Bride was shortlisted for the Danger Prize and in 2020 she won the Danger Prize for The Killing Streets. (1. Source: Hachette Australia website.)
Where to buy: The book has been published in Australia in both paperback and ebook editions; in the UK and US it is available in ebook format only.
If you liked this book, you might also like:
‘My Mother, A Serial Killer’ by Hazel Baron and Janet Fife-Yeomans
This book is about Dulcie Bodsworth, a community-minded wife and mother, who murdered her husband in the 1950s, then killed two other men she knew. A talented cook and caterer, her poison of choice was arsenic.
This is my 7th book for #SouthernCrossCrime2021 which I am hosting on this blog between 1st March and 31st March. To find out more, including how to take part and to record what you have read, please click here. It is also my 5th book for #AWW2021.
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