2020 Kerry Group Irish Novel of the Year, Africa, Author, Book review, Edna O'Brien, Faber and Faber, Fiction, literary fiction, Literary prizes, Nigeria, Publisher, Setting

‘Girl’ by Edna O’Brien

Fiction – paperback; Faber & Faber; 240 pages; 2019.

Edna O’Brien specialises in writing about ordinary people — usually women — being thrust into extraordinary, and often dangerous, situations, then examining how things play out. (See In The Forest, published in 2002, and The Little Red Chairs, published in 2015.) Her latest novel, Girl, is cut from a similar cloth.

In this short novel, which has been longlisted for the Women’s Prize and shortlisted for the 2020 Kerry Group Irish Novel of the Year, O’Brien tells the tale of a Nigerian schoolgirl captured by the militant Islamist group Boko Haram.

I was a girl once, but not any more. I smell. Blood dried and crusted all over me, and my wrapper in shreds. My insides, a morass. Hurtled through this forest that I saw, that first awful night, when I and my friends were snatched from the school.

A frightening and often disturbing story, Girl reveals the depths of humanity’s dark heart and puts the reader in the shoes of Maryam, a teenage girl confronted by an unimaginable horror: stolen away from her family and made to live among violent, sexually depraved men with little to no hope of escape.

Of course, she does escape (otherwise there wouldn’t be much to write about) and her journey to freedom is almost as perilous and fraught as her life in captivity. Burdened with a baby and accompanied by Buki, another kidnapped teenage girl, she is forced to live by her wits, to scrounge for food in the forest and to keep her eye out for savage men in pursuit.

It is deeply telling that when she comes across a local nomadic tribe willing to provide shelter, their kind offer of help is soon withdrawn when they realise how dangerous it is to hide Maryam.

I was sitting on the bed when Madara came in. There was something wrong. […] She spoke standing and her voice was firm. ‘When the women went to the village this morning, the vendors at first refused to speak or do business with them. Word had got out that we were hiding a militant’s wife and child. Everyone down there is in terror. They know what will happen. Their gods will be confiscated, their stalls burned down and they themselves slaughtered. Then the Jihadis will come here for us, they know how to find us, they know every inch of this forest. They will destroy everything. They will take our herd. There will be nothing left of us.’
‘I will go,’ I said, half rising, wanting to thank her for the endless kindnesses, but she rebutted it.

This is an extraordinarily powerful tale, fast-moving and often confronting, but written with an exacting and sensitive eye. (O’Brien, who is in her 80s, visited Nigeria twice to research the novel and met survivors of Boko Haram’s cruel activities, so there’s a real ring of authenticity to the story.)

I liked that it didn’t get too bogged down in the machinations of the sect, but looked at the impact on one girl’s life during and after capture, shining a light on the terrible injustices and prejudices against women but also showing how a tenacious spirit can overcome the worst of what humanity throws at us.

I came away from this novel not downhearted or dispirited but feeling a sense of optimism for Maryam and the future ahead of her.

Reviewers dubbed O’Brien’s previous novel, The Little Red Chairs, her masterpiece, but I think they got it wrong. In my opinion, that accolade belongs to Girl.

Lisa Hill also liked this book.

This is my 3rd book for the 2020 Kerry Group Novel of the Year Award.

Africa, Author, Book review, Canada, crime/thriller, Fiction, literary fiction, Nigeria, Publisher, Setting, Viking, Will Ferguson

‘419’ by Will Ferguson

419

Fiction – hardcover; Viking Books; 399 pages; 2012.

For me, the best kind of literature is the kind that makes you look at something afresh or takes you to a location (or time in history) that you would never normally visit. Will Ferguson’s 419 is that kind of literature.

In short, it is about a Canadian man who gets stung by a Nigerian email scam, but it is also about the cultural and financial disparity between Africa and the West. It is a heady mix of adventure story, crime fiction and global thriller — albeit with a distinctive 21st century twist.

Caught in a web of deception

This rather ambitious novel has multiple storylines and a wide cast of characters. The central thread revolves around the death of Henry Curtis, a retired school teacher now working as a part-time watchman, who dies in an unusual traffic accident: his car, travelling at very high speeds, runs off the road one night and tumbles into a snowy ravine underneath a bridge. Initially, it is thought he may have hit a patch of black ice, but later, when it is revealed that his car made two attempts to leave the road, his death is chalked up as suicide.

When the home he shares with his wife — also a retired school teacher — is repossessed by the bank, it appears that Mr Curtis had numerous, and hefty, financial debts. He had, rather naively, been taken in my an email scam (known in Nigeria as “419” after the criminal code which makes this kind of activity illegal), the type most of us would ignore or delete if they made their way through our SPAM filter.

SUBJECT: Urgent Matter to the Attention of Mr. Henry Curtis. Please do not turn away!
RECEIVED: September 12, 11:42PM

Complements of the season! With warm heart I offer you wishes of good health from Africa. I am contacting you today regarding an urgent business proposal, and though this letter may reach you as a surprise, I implore you to take the time to go through it carefully as the decision you make will go a long ways toward determining the future and continued existence of a young woman’s happiness.
Sir, I am writing today on behalf of Miss Sandra, daughter of Dr. Atta, late Director & Chairman of the Contract Award Committee for the Nigerian National Petroleum Corporation. As you may know, Dr. Atta died tragically in a helicopter crash in the Niger Delta under circumstances most suspicious. Miss Sandra’s uncle vowed to care for her, but he too has fallen afoul of government-backed criminals…

His two adult children — Warren and Laura — take his death and the impending loss of the family home in different ways. Warren, a married man with children, is prone to loud outbursts, all air and fury, while Laura, a single woman who makes her living as a copy editor, decides to beat the scammers at their own game.

Multiple storylines

In a second storyline, we meet the scammer — Winston — who runs his one-man operation out of a cyber cafe in Lagos. Winston is cleverer than most — he’s figured out that it pays to choose your targets carefully and “once hooked, it became a matter of playing them, of reeling in the line, overcoming their initial resistance, giving them slack at certain times, pulling taut at others”. But Winston is playing a dangerous game, because the world of cyberscamming is deftly controlled by street-gang syndicates who don’t appreciate those who go it alone.

A third storyline introduces Nnamdi, an innocent boy from a fishing village in the Niger Delta, who becomes unwittingly tied up with a Nigerian “mafia” boss who runs many of these internet scams. But when we first meet Nnamdi, he is working on Bonny Island — the terminus of the Trans-Niger Pipeline at the mouth of the Delta — where he “took motors apart and put them back together. He oiled bearings, cleaned cogs, replaced timing belts”. His situation is in stark contrast to the rest of his peers, many of whom are blowing up pipelines and kidnapping Western employees to get the message across that the global oil corporations are not welcome in the Delta.

Later, he meets and rescues a pregnant woman, who is from the Sahel “from a clan rumoured to carry Arabian blood in their veins”. This storyline — perhaps the weakest of the multiple ones that Ferguson juggles in choppy, sometimes staccato fashion — serves to show us how innocent, well-meaning people, such as Nmadi, can get caught up in events bigger than themselves. And it also shows us how corruption permeates through almost every facet of Nigerian life.

Ambitious novel

From my description above, it’s pretty clear that 419 is a big, sprawling novel, filled with all kinds of social, political and economic messages about the state of the world today.

It’s by no means a perfect novel — sometimes it feels like facts, especially the ways in which these “419 scams” work are being shoe-horned in, and it can never seem to work out its mind whether it’s a literary novel, a travel adventure or a sociopolitical thriller. It also experiments with style — sometimes the chapters are only several paragraphs long, and the section about Nnamdi could almost be extracted as a stand alone novella — not always successfully.

But, on the whole, this is a gripping read, one that feels authentic and edgy. It takes a big picture view and marries a cracking good plot with finely crafted prose and believable characters. And I suspect it would make a brilliant film, not least because of Ferguson’s eye for detail and the visual quality of his writing.

Of the three Giller Prize shortlisted novels I have reviewed so far, I would be more than happy to see this one win it.