2020 Readings Prize for New Australian Fiction, Australia, Australian Women Writers Challenge, Author, AWW2020, Book review, Fiction, Joey Bui, Literary prizes, Publisher, Setting, short stories, Text, UAE, Vietnam

‘Lucky Ticket’ by Joey Bui

Fiction – paperback; Text Publishing; 256 pages; 2019.

Joey Bui’s Lucky Ticket is a collection of short stories recently shortlisted for the Readings Prize for New Australian Fiction 2020, which is why I read it.

A Vietnamese-Australia writer, Bui comes to these stories with an eye for the outsider. Her fiction tends to champion the underdog or the unseen.

In the title story, for instance, we meet a disabled old man —  a former foot soldier in the Cambodian War — who sells lottery tickets on a street corner in Sàigòn. He walks around on his knuckles (because he doesn’t have legs), smiling and laughing all day — “That’s a big part of my job” — hoping that people will buy a ticket from him with little to no persuasion.

When a lady buys a ticket from him and hands it over, wishing him good luck, he’s convinced the ticket is a lucky one. He does everything he can to hold onto that ticket, but as he traverses the city, doing business, meeting friends, enjoying drinks, he accidentally resells it — but instead of feeling sorry for himself, he recalls all his “good fortune” in a life that to anyone else would look anything but.

In another story, “Abu Dhabi Gently”, we meet a migrant worker who leaves Zanzibar in a bid to make enough money to provide his wife with a better standard of living. But life in the UAE is a struggle. He gets caught in an infinite loop of red tape that prevents the reimbursement of his recruitment fee — a staggering $US980 — so that he has to work long hours in a university cafeteria to repay back what he has already paid. His passport is held as a form of security, preventing him from returning home.

Meanwhile, he struggles to make friends — “There weren’t many Africans working at the university. Most of the other workers were Filipinos and Indians” — and becomes very lonely. Contact with his wife and his sisters in Zanzibar becomes repetitive and lacks meaning because they don’t understand what he is going through and he isn’t confident enough to tell them the truth. It’s a melancholy story, but one that ends on a hopeful note.

In fact, most of the stories in this collection trade on the idea that life is messy and complicated, that relationships can become strained, that racial identity, gender and socio-economic background can amplify pain, and yet this diverse range of tales and voices is not depressing. Every story ends on a relatively positive note — even if it is just a character coming to terms with their circumstances.

Earlier this year Lucky Ticket was longlisted for the Stella Prize, shortlisted for the UTS Glenda Adams Award for New Writing at the 2020 NSW Premier’s Literary Awards, and won the University of Southern Queensland Steele Rudd Award for a Short Story Collection at the 2020 Queensland Literary Awards. It’s an enlightening collection full of memorable characters and written in a straightforward, forthright prose style. I am hoping this talented writer tackles a novel next; I’d love to read it.

This is my 4th book for #2020ReadingsPrize for New Australian Fiction and my 19th book for #AWW2020.

Australia, Author, Book review, Finch Publishing, Lisa Nops, memoir, Non-fiction, Publisher, Setting, Sri Lanka, travel, UAE

‘My Life in a Pea Soup’ by Lisa Nops

My-life-in-a-pea-soup

Non-fiction – Kindle edition; Finch Publishing; 240 pages; 2013. Review copy courtesy of the publisher.

I have to confess that true stories about motherhood and raising children aren’t normally my cup of tea, so it may come as some surprise that I chose to read and review Lisa Nops’ My Life in a Pea Soup when the publisher pitched it to me. However, I quite like memoirs written by ordinary people thrust into extraordinary circumstances, and I also like tales about expats, and this book ticked both those boxes.

Planned parenthood

The memoir is written by Lisa Nops, an Australian teacher who married Michael, an English civil engineer, in 1989. Michael’s job often involved working in exotic locations, so at various times the couple have lived in Australia, New Zealand, France, Malaysia, Sri Lanka and Bahrain.

When they decided to start a family Lisa was unable to fall pregnant, so four rounds of IVF treatment ensued, with no success. Then, in November 1997, she fell pregnant naturally and their daughter, Sally, was born in 1998.

Initially, Sally appeared to be a normal baby, albeit with an extremely quiet disposition, “inclined to sleep over and above doing anything else, not just at night but during the day as well”. But as time progressed Sally failed to meet ordinary developmental milestones, such as crawling, walking and speaking, was plagued by various illnesses, including ear infections, was prone to “staring intensely at objects and shadows” and began to flap her hands uncontrollably when excited.

When she was three, she was diagnosed with an unknown “neurological problem” that would require intensive speech, language and occupational therapy. There was the very real possibility that she would never learn to speak in sentences. Eventually she was diagnosed as autistic.

Search for a diagnosis

The book charts Lisa’s struggle to find out what was wrong with Sally, a journey that spanned several years — and continents. It was complicated by two factors: Lisa’s inability to fully accept that Sally’s slow development was anything other than her just being slow, and the family’s constant moving from one country to another.

Even when Lisa moved back to her home town of Canberra, Australia, to give Sally a better chance of medical care, things weren’t always straightforward. It certainly didn’t help that Michael remained behind in Sri Lanka to continue working, leaving Lisa to grapple with raising a child with special needs alone.

Once a proper diagnosis was made, it allowed the couple to become more focused on getting the right care and attention for Sally. But this was only half the battle. It did not alter the fact that they were “stuck” in a life they had never planned when they had decided to become parents. Lisa uses the analogy of planning a dream trip to Italy only to end up in Holland by accident:

It’s a different county to the one they had expected, where the countryside is flat and the people speak with guttural inflections. For a while they resent their holiday there; it wasn’t what they had planned and everyone in Italy is having a great time. But, little by little, day by day, they start to enjoy the country’s level plains, the windmills and tulips. They surprise themselves by eventually liking this holiday.

I do not have children, but what this book confirmed to me is the very real challenge that parents of autistic children face on a day to day basis. It’s not a grim read — indeed, there are many chinks of light in it, especially when Lisa and Michael discover (and then adopt) a program called Son-Rise, which helps Sally enormously.

It’s written in a straightforward style, free of sentiment and self-pity, and I suspect readers with autistic children, friends or relatives will learn a lot from it.

Nops also has a lovely way of describing life as an expat, especially the excitement (and apprehension) of moving to a new country, discovering new cultures and adjusting to their customs, and she skilfully interleaves this detail into her story with a lightness of touch. I liked the way the author explores this sense of “otherness”, not only as an expat but as a parent of a child with special needs.

My Life in a Pea Soup won the Finch Memoir Prize in 2012.

 

Author, Book review, Joe Bennett, Non-fiction, Publisher, Setting, Simon & Schuster, travel, UAE

‘Hello Dubai: Skiing, Sand and Shopping in the World’s Weirdest City’ by Joe Bennett

Hello-Dubai

Non-fiction – paperback; Simon & Schuster; 272 pages; 2011.

The first time I went to Dubai, on a day trip from neighbouring Abu Dhabi where I was staying in 2009, I couldn’t get over the scale of the place. It was like one giant construction site, with all manner of skyscrapers and shopping malls and apartment blocks being built. And when you went to any of the hotels or shops, there was a real feel of big money and glitz and glamour to the place.

But Dubai, one of the seven emirates of the United Arab Emirates (UAE), has a dark underside — or should that be underclass? — of mainly emigrant workers, largely from India and the Phillipines, which the glossy tourist brochures, and the ruling Arab elite, would rather you didn’t know about.

Joe Bennett, who is a professional travel writer, comes to grips with both sides of Dubai in this intriguing, and very witty, book based on his time living in the city. His highly readable account explains how Dubai went from being a quiet Arabian port into a hub of global trade and finance in just a matter of decades.

Bennett suggests that Dubai is essentially a British creation. That’s because Dubai is a sheikdom, ruled by the “royal” Al Maktoum family, who were never elected into power, they simply “assumed” it with the backing of the British, who, for all kinds of economic reasons, did not wish the UAE to be a democracy.

Dubai’s wealth initially lay in oil, but by concentrating on tourism, trade, real estate and financial services, the Al Maktoums have turned it into a Western-style economy. This has meant relaxing many of their rules to attract foreigners and foreign businesses to their shores.

For example, up until 2006, the only way a foreigner could live in Dubai was on a limited three-year visa system tied to employment. They could not buy property, because it was all owned by the ruling sheikh and Emiratis. That’s now changed, and expats can purchase their own homes — although judging by the examples Bennett quotes here, it’s not exactly straightforward, nor cheap — but they cannot obtain citizenship. This means they can be told to leave the country at any time, which is quite a convenient system for those in charge.

But Bennett doesn’t just look at what makes Dubai tick, he goes out into the other emirates (except the UAE capital, Abu Dhabi) to compare them, and much of what he finds is in stark contrast to the wealth and opportunism that Dubai affords.

He meets a variety of people, from expat South Africans living in mansion-like villas equipped with swimming pools and driving expensive four-wheel drives, to hard-working Filipino maids, who are treated like second-class citizens by their employers. He hangs out with foreign businessmen, the nouvea rich, who are making big bucks and plays cricket with Indian, Pakistani and Sri Lankan labourers on their day off.

And while he has a perceptive eye and notices the unobtrusive underclass and the lewd, often culturally insensitive, behaviour of the richer expats, Bennett’s book is far from heavy or judgmental. It features some delicious comic moments, such as when he accidentally finds himself caught in no man’s land between the UAE and Oman, or when he falls over in the shower, tears the curtain from the wall and knocks himself out on the toilet seat.

This is a terrific book, which pretty much does what it says on the tin. If you’re thinking of visiting Dubai, or even if you’re not, this is a fun, but intelligent, read about a city that is truly unique.