6 Degrees of Separation

Six Degrees of Separation: From ‘Second Place’ to ‘Tarry Flynn’

It’s the first Saturday of the month, which means it’s time to participate in Six Degrees of Separation (check out Kate’s blog to find out the “rules” and how to participate).

This month the starting book is…

‘Second Place’ by Rachel Cusk (2021)

Now, I don’t think it’s a secret, but I do not get on with Ms Cusk, having read two of her books in the past, so no surprise that I haven’t read this one and have no interest in doing so, Booker prize-listing or not. I understand it’s a novel about art, so I am going to link to…

‘Night Blue’ by Angela O’Keeffe (2021)

This wonderfully inventive Australian novella is about Jackson Pollock’s Blue Poles, one of the most expensive paintings ever acquired by the Australian Government, and is narrated by the painting itself. I told you it was inventive!

Another book about art (and with ‘blue’ in the title) is…

‘The Blue Guitar’ by John Banville (2015)

This rather witty story is about an Irish artist by the name of Oliver Orme who conducts an affair with his best friend’s wife. It’s told from Oliver’s point of view and written in a deliciously pompous voice by a middle-aged man who has a penchant for petty thievery.

Another story about a badly behaved man carrying out an affair is…

‘A Very Scotch Affair’ by Robin Jenkins (1968)

In this classic Scottish novel, a man stuck in a miserable marriage decides to leave his wife even though she’s been diagnosed with cancer. He runs off with his lover and leaves a trail of devastation in his wake. It sounds grim, but it’s actually quite witty — and the reader knows from the start that the man is a total cad and not deserving of our sympathy.

Another novel about a cad is…

‘The Ginger Man’ by JP Donleavy (1955)

In this classic Irish novel set in Dublin, we meet Sebastian Dangerfield, a shameless boozer and womaniser, who misbehaves at every opportunity even though he has a wife and infant child at home. He is the kind of character a reader loves to hate. It’s an enormously fun, if occasionally shocking and ribald, read. It was banned in Ireland for many years.

Another book banned by the Irish Censorship Board is…

The Pilgrimage by John Broderick

‘The Pilgrimage’ by John Broderick (1961)

This gripping novel set in the 1950s is about a fine upstanding church-going woman who has a secret life: she seeks out casual encounters with strange men and has an affair with her husband’s young nephew. It’s a very dark book, one that explores what happens to ordinary men and women when the Catholic Church tries to control sex and sexuality.

Another book that revolves around the Catholic Church’s control of every aspect of Irish life…

Tarry Flynn

‘Tarry Flynn’ by Patrick Kavanagh (1948)

This is actually a rather charming and often hilarious story about a bachelor farmer in rural Ireland in the 1930s and the pressure he feels to get married and settle down when he’s really not that interested. The local priest, on the other hand, is so worried that the rural area in which the story is set is “in danger of boiling over in wild orgies of lust” that he organises a special Mission to warn parishioners about the sin of sex outside of marriage. But the Mission attracts lots of young women, of marriageable age, so the priest’s plan kind of backfires…

So that’s this month’s #6Degrees: from a literary novel about art to a gentle comedy about an Irish farmer via tales about affairs, men behaving badly and Holy Catholic Ireland.

Have you read any of these books? 

Please note, you can see all my other Six Degrees of Separation contributions here.

Angela O'Keeffe, Australia, Australian Women Writers Challenge, Author, AWW2021, Book review, Fiction, literary fiction, Publisher, Setting, Transit Lounge

‘Night Blue’ by Angela O’Keeffe

Fiction – paperback; Transit Lounge; 144 pages; 2021.

If there was a prize for the most original conceit for a novel, then Angela O’Keeffe’s debut, Night Blue, would surely win it. That’s because the narrator is an inanimate object: the painting Blue Poles, by American artist Jackson Pollock.

That abstract expressionist painting currently hangs in the National Gallery of Australia in Canberra. It was purchased by the Australian Government in 1973 and caused a bit of a scandal at the time, not least because, at $AU1.3million, it was the most expensive American painting ever bought by anyone anywhere in the world.

O’Keeffe works that controversy into her novella as well as telling the story of the equally controversial artist who created it.

Story of a painting

This is what the painting, which measures 212.1cm × 488.9cm, looks like:

By Source, Fair use, https://en.wikipedia.org/w/index.php?curid=35971938

And this is how the story starts:

I began one night in 1952 in a barn on Long Island, New York. Jackson unrolled a piece of Belgian linen, five metres by three, onto the floor. He liked to work on the floor, to be able to walk around and around a painting: to feel like he was part of it, in it, he said.

From there we follow the painting — originally called Number 11, 1952 — for the duration of its life, from its time hanging in a private Manhattan home, to going into storage, being sold and transported to the other side of the world, and being put on display amid a sea of controversy. (Many Australians, for instance, bemoaned their tax dollars being spent on foreign art and not local art.)

We get glimpses of the painting’s inner-most world, what it feels, thinks, sees and hears,  and its growing awareness that it has always been mired in some kind of debate. The rumour that Jackson did not create it alone, that he had outside help, is a constant theme. (Apparently, if you look closely enough, you can see multiple footprints in several places around the edge of the canvas. You can read more about this on the NGA website.)

In part two, the point of view switches to a human one, that of Alyssa, an art restorer and PhD candidate studying the works of two 20th century abstract artists, Lee Krasner and Helen Frankenthaler, who were overshadowed — unfairly, it would seem — by Jackson Pollock. Alyssa knows the rumours that Blue Poles was not solely created by Jackson, and she wants to find something that will prove her theory because in doing so she will show that Krasner and Frankenthaler deserved to be recognised in their own right.

The final part of the story then switches back to the painting’s interior monologue, rounding out a narrative that covers all kinds of unexpected topics — including feminism, politics and scandal — as well as ruminating about art, its purpose and its value, and the ways in which those who create it can be revered or condemned.

Bold and original

But for all its freshness and originality, there was something about Blue Poles that didn’t really hold my attention, perhaps because I was constantly aware that I was reading a fictional construct. Knowing that the story was being narrated by a painting meant I couldn’t really lose myself in the book.

And some of the facts surrounding the painting, especially the bits about Australian Prime Minister Gough Whitlam giving the go-ahead for its purchase, felt rammed in.

But these are minor quibbles because Night Blue is an extraordinary feat of imagination and a great read if you love stories about art and artists or are looking for something written from a wholly original point of view.

Lisa at ANZLitlovers has also reviewed this one.

This is my 11th book for #AWW2021.