Tag: Henning Mankell

6 Degrees of Separation

Six Degrees of Separation: From ‘Braised Pork’ to ‘Hotel Iris’

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Six degrees of separation logo for memeThe first Saturday of the month means it is time to take part in Six Degrees of Separation, a meme hosted by Kate at booksaremyfavouriteandbest. In this meme, Kate suggests a starter book and the idea is to then create a chain of six more books, linking each one as you see fit.

I didn’t take part last month because August crept up on me unawares, but here is my effort for September. See if you can spot a theme!

This month the starting book is the last one read in August…I’m kind of cheating here because I’m starting with the last one I reviewed in August as I’m about 6 books behind. As ever, click the title to read my full review of each book…

‘Braised Pork’ by An Yu (2020)

In this intriguing novel, a young Chinese woman living in Beijing is widowed suddenly and begins a journey of self-discovery, which includes a trip to Tibet, a romance with a local bar owner and a rediscovery of her artistic side. The prose style is simple and hypnotic and the story blends folklore and mythic elements to create a rather enigmatic, sometimes perplexing, tale.

‘Beijing Coma’ by Ma Jian (2009)

Another novel set in Beijing, this 600-plus extravaganza is a powerful story that bears witness to the Tiananmen Square massacre of 1989. t is a deeply moving account of the student pro-democracy movement, culminating in the massacre in which thousands of Chinese citizens were killed. Unusually, it is told from the point of view of one of the students, Dai Wei, who is in a coma. As a concept, this shouldn’t work, but in Ma Jian’s hands, this wholly original approach is devastatingly effective. (The book is banned in China and the writer is living in exile in the UK.)

‘The Man from Beijing’ by Hanning Mankell (2011)

The obvious link here is in the title, but I’m also linking to it because it is about a massacre. It’s a stand-alone crime novel (ie. not part of Mankell’s famous Wallender detective series) that follows an investigation into Sweden’s biggest (fictional) mass murder in which 19 people are slaughtered overnight in a sleepy village in the middle of winter. It’s not a police procedural as such because the crime is investigated by a middle-aged judge who has been signed off from work and needs something to occupy her time. Structurally, the book has some issues — the story, for instance, jumps back to the mid-19th century just as the investigation is hotting up, which interrupts the page-turning quality of the tale — but it’s an intriguing look at modern-day China’s hidden influence on the world and Mankell is not shy about wearing his politics on his sleeve, so to speak.

‘The Aosowa Murders’ by Riku Ondo (2020)

Sorry about the dark turn, but here’s another novel that features a mass murder as its starting point. In this unconventional crime novel from Japan, the focal point is the death of 17 people who are deliberately poisoned at a family celebration. The prime suspect is the family’s blind daughter, the only family member spared death, but why would she want to kill her loved ones? The novel is not really a whodunnit or a whydunnit. Instead, it looks at the far-reaching impact of the crime on the lives of so many people, including the police investigators, and it’s written retrospectively using multiple voices and multiple time-frames with no neat solution or ending.

‘Newcomer’ by Keigo Higashino (2018) 

Conventional structure is thrown out the window in this Japanese crime novel, too. Higashino is my favourite Japanese crime writer but this one was a little disappointing. it is set in Tokyo and follows the police investigation into the death of a 40-year-old woman. Each phase of the investigation is told as if it’s a standalone short story. With each new story, or chapter, we learn something new about the case as the list of suspects grows longer and longer. Eventually, Detective Kyochiro Kaga, a sharp-minded, highly experienced policeman, reveals the identity of the culprit, but it takes a long time to get there!

‘Strange Weather in Tokyo’ by Hiromi Kawakami (2013)

Staying in Tokyo, but leaving the crime behind, this is a bittersweet tale about a 30-something woman who embarks on a relationship with an older man who was once her teacher at school. It’s an unconventional love story because the pair never make dates; they simply go to the same bar at around the same time, sit next to each other and spend the evening drinking and talking. Their relationship, which grows from friendship into love, unfolds as gently as the narrative, which is written in stripped-back, often elegiac, prose.

‘Hotel Iris’ by Yoko Ogawa (2011) 

Another story about a relationship between a younger woman and an older man, this novel takes a horrifying subject — a sexual deviant praying on an innocent girl — but writes about it beautifully. The prose is lush and hypnotic and the narrative is perfectly restrained, and yet it brims with tension. Will 17-year-old Mari be okay or will her boyfriend, who is 50 years her senior, turn out to be the next Ted Bundy?

So that’s this month’s #6Degrees: from a tale about a young Chinese widower on the brink of a new life to the tale of a Japanese teenager playing with fire, via stories set in Beijing and Tokyo, most of them using unconventional structures to keep things interesting. 

Have you read any of these books? 

Please note that you can see all my other Six Degrees of Separation contributions here.

Author, Book review, Books in translation, Fiction, Henning Mankell, Maclehose Press, Publisher, Reading Projects, Setting, Sweden, TBR 21

‘The Rock Blaster’ by Henning Mankell

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Fiction – paperback; MacLehose Press; 2020. Translated from the Swedish by George Goulding.

Before Swedish author Henning Mankell became a crime fiction superstar he penned this quietly devastating novel first published in 1973 but only recently translated into English.

The Rock Blaster tells the story of a young man, Oskar Johansson, who is seriously injured in an industrial accident blasting rock with dynamite to make way for a road. He’s not expected to survive — indeed, the local newspaper reports him dead — but he defies the odds, albeit losing an eye and a hand, and manages to return to work as an invalid after he has recuperated.

A working-class hero

The novel charts Oskar’s life from the time of the accident, in 1911, to his death as an old man in 1969. A second thread, which is interleaved throughout, charts the sociological and political changes that occur during Oskar’s lifetime to build up a mesmerising portrait of one man and his place in history.

The story of Oskar is like an iceberg. What you see is only a small part. Most of it is hidden under the surface. That is where the bulk of the ice is, keeping its balance in the water and making its speed and course steady.

Oskar’s life story details his romance with a local girl before the accident to his marriage to that girl’s sister after the accident. Children are born. Jobs are held. Political parties are joined. Activism ensues. There are ups and downs, deprivations and small joys. Grief. Loss. Retirement. Solitude.

His experiences are presented as a series of flashbacks, interviews with an unnamed narrator and other fragments, and it is written in gentle, hypnotic prose, with nary a word wasted.

In early April in 1949, Oskar buys a propaganda poster¹. It is one of the most famous ones, the most widely disseminated and translated, but above all perhaps the most effective graphic analysis of the capitalist system ever published. It is the well-known pyramid, which was first printed in the USA in about 1910.

Fuelled by a sense of social justice and moral outrage, The Rock Blaster rails against capitalism and the ways in which the system uses the working classes to prop up the entire economic edifice of mid-20th century society.

Fight for a cause

I adored this novel. There’s something sublimely honourable about it. I loved the way it puts the working class centre stage and highlights how it is up to every single one of us to fight for what we believe in, to speak up against wrongs and to forge our own path in life. It tapped into my own sense of social justice and made me angry on Oskar’s behalf.

I’m so glad it finally got translated into English — even after all this time (47 years!) so much of this novel is relevant today.

1. You can view that poster on Wikipedia

This is my 18th for #TBR21 in which I’m planning to read 21 books from my TBR between 1 January and 31 May 2021. I purchased it from my local independent book store in August 2020.

Author, Book review, Books in translation, China, crime/thriller, Fiction, Henning Mankell, Publisher, Setting, Sweden, Vintage

‘The Man from Beijing’ by Henning Mankell

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Man-from-beijing

Fiction – paperback; Vintage; 560 pages; 2011. Translated from the Swedish by Laurie Thompson. Review copy courtesy of the publisher.

Despite liking Scandinavian crime novels, I’ve never quite got around to reading anything by Henning Mankell, arguably the grand master of the genre. I’ve been reluctant to read his Inspector Wallander mysteries because there are 11 books in the series, a major commitment for someone like me who would want to read them all in the correct order.

But The Man From Beijing is a stand-alone book, so there was no need to worry about over-committing myself. As it turns out, it was an entertaining read, and one that was not terribly demanding, but I’m not sure that it’s encouraged me to go down the Wallander route — although I’m prepared to be convinced otherwise.

The story starts off with a real show-stopper: nineteen people, all related, are slaughtered in a sleepy Swedish village in the dead of winter. It is Sweden’s biggest mass murder. The media are crawling all over it, but the police don’t have a clue as to who might have committed it. Was it a lunatic gone mad with a machete? Or a thoroughly planned exercise by a team of killers? What, exactly, was the motive?

But The Man From Beijing is not a police procedural. The story is told largely through the eyes of Birgitta Roslin, a perfectly nice middle-aged judge from Helsingborg, who is distantly related to a couple of the victims. In her working life Birgitta has seen and done it all (her experiences, related as back story, serve to highlight the dark underbelly of Swedish society). When she is signed off work with high blood pressure, she decides to fill her days investigating the mass murder — as you do.

She has a few run-ins with the detective in charge of the investigation — a bullish woman by the name of Vivi Sundberg — but on the whole it’s clear that Birgitta is miles ahead of the police in terms of finding leads and potential suspects. But how can she connect the red ribbon found at the scene with a nineteenth century diary? And who was the mysterious Chinese man who booked into a local hotel the night before the murder?

Just as Birgitta’s investigation begins to really take off, Mankell does something unexpected. He takes the story back to 1863, at a time when three Chinese brothers were press-ganged into working on the railroad that links the American east coast with the west. What does this have to do with the murder in Sweden more than a century later? Ah, that would be telling, wouldn’t it?

I think the major problem I had with this book was its structure. It morphs into a kind of political thriller, and the event which opens the book in such stunning style gets almost forgotten as Mankell builds up an extensive web of corruption across three continents: Europe, Asia and Africa.

As you might expect from the title, a large chunk of the book is set in China. In fact, Birgitta, who wanted to join the Red Guard in her youth, visits the country on a spur-of-the-moment decision to continue her unofficial enquiries (the fact there is no mention of acquiring a travel visa was just one of many factual omissions that annoyed me while reading this book).

The China depicted here is modern and vibrant, but it is also deeply divided. Just as Mankell makes undisguised commentary about Sweden’s social problems through the criminal cases over which Birgitta must preside, in the Chinese parts of the novel he makes more undisguised commentary about a rampant economic system, Communism and corruption. Indeed, he ties them all together, and then throws in a semi-plausible plot about China wanting to “export” its poverty-stricken peasants to Zimbabwe and Mozambique in exchange for helping to develop those countries. (I rather suspect Mankell read Mark Leonard’s What Does China Think? as part of his research, because he regurgitates a lot of the facts that Leonard presents in his book, including the notion that China donates huge sums of money to African nations that have been turned down for loans by the International Monetary Fund.)

As a thriller, the story has a sufficiently menacing undertone to make one keep turning the pages. But as a crime novel it lacks punch, probably because the killer is clearly identified very early on in the book. Mankell then spends some 300-plus pages explaining how that killer came to do what he did.

On the whole, I enjoyed The Man From Beijing as a “holiday read” (I was travelling around Ireland at the time), but it’s a woolly book in need of some tight editing. It is easily 200 pages too long. Still, the saving grace is Birgitta, a convincing character with just the right touch of paranoia, to keep the story pedalling along.