Australian Women Writers Challenge, AWW2021, Book lists

27 books by women: completing the 2021 Australian Women Writers Challenge

For the 6th year in a row, I signed up to do the Australian Women Writers Challenge in 2021. My aim was to read 20 books; I ended up reading 27.

Here is a list of all the books I read arranged in alphabetical order by author’s name (click the title to see my full review).

‘Like Mother’ by Cassandra Austin (2021)

Literary fiction meets a fast-paced psychological thriller in this Australian novel about a new mother who misplaces her baby and spends an entire day (in November 1969) trying to find her.

‘New Animal’ by Ella Baxter (2021)

This black comedy about death, grief and bondage follows a 20-something funeral parlour make-up artist whose life is thrown into disarray when her beloved mother dies unexpectedly.

‘After Story’ by Larissa Behrendt (2021)

A charming novel about two Aboriginal Australians — a mother and daughter — embarking on a tour of England’s most revered literary sites.

‘The Husband Poisoner’ by Tanya Bretherton (2021)

This historical true crime book turns a forensic eye toward women who murdered men in post-World War II Sydney using poison as their “weapon” of choice.

‘Mermaid Singing’  and ‘Peel Me a Lotus’ by Charmian Clift (1956/1959)

Published in one volume, these twin memoirs chart Clift’s life on two different Greek Islands with her husband, the novelist and war correspondent George Johnston, as part of a Bohemian set of artists and writers in the 1950s.

‘Scary Monsters’ by Michelle de Kretser (2021)

A story about racism, freedom of movement and the Australian way of life, this novel is split in half —  one half in France in the 1980s; the other half in Australia in a dystopian near-future — and the reader gets to choose which to read first. [This is yet to be reviewed on this blog, but I will add a link when I’m done.]

‘The Night Village’ by Zoe Deleuil (2021)

In this quietly unsettling portrait of new motherhood, a young Australian unexpectedly falls pregnant in London then finds her paranoia kicking in when her boyfriend’s cousin becomes possessive of the baby.

‘My Friend Fox’ by Heidi Everett (2021)

Beautifully written and illustrated memoir explaining what it is like to be a resident on a psyche ward and to live with a complicated mental health condition.

‘Ash Mountain’ by Helen Fitzgerald (2021)

Billed as a “disaster thriller”, this novel revolves around a terrifying bushfire and explores events leading up to the tragedy and what happens on the actual day of the fire.

‘The River Mouth’ by Karen Herbert (2021)

An investigation into the murder of a local teenage boy is reopened when new evidence comes to light in this impressive debut crime novel set in a small coastal town in Western Australia.

‘Bobbin Up’ by Dorothy Hewett (1959)

A richly told collection of interconnected short stories focused on a bunch of diverse female characters who work at a woollen mill in 1950s Sydney.

‘Moral Hazzard’ by Kate Jennings (2002)

This brilliant novella set in the 1990s recounts the story of an Australian woman working in a Wall Street investment bank by day and who looks after her ill husband by night.

‘The Broken Book’ by Susan Johnson (2004)

A complex, multi-layered and compelling story inspired by the life of Charmain Clift, and almost impossible to describe in an 800-word review let alone a single sentence!

‘From Where I Fell’ by Susan Johnson (2021)

An epistolary novel composed of emails between two women on opposite sides of the planet whose correspondence is sometimes fraught but always frank.

‘House of Kwa’ by Mimi Kwa (2021)

An intriguing memoir, one that explores family history, loyalty, patriarchy and tradition, and marries aspects of the historical novel with reportage to tell an epic story spanning four generations.

‘Revenge: Murder in Three Parts’ by S.L. Lim (2020)

A beguiling tale of a Malaysian woman whose parents treat her like a second class citizen on the basis of her gender.

‘The Labyrinth’ by Amanda Lohrey (2020)

A deeply contemplative novel about a woman who builds a labyrinth by the beach as a way to deal with the knowledge that her son committed a brutal murder.

‘A Jealous Tide’ by Anna MacDonald (2020)

In this debut novel, a woman from Melbourne eases her restlessness by walking along the Thames while she is in London working on a research project about Virginia Woolf.

‘The Ruin’ by Dervla McTiernan (2018)

A  compelling police procedural set in Galway, Ireland, in which a jaded Detective Inspector must confront a crime that has haunted him for 20 years.

‘Night Blue’ by Angela O’Keeffe (2021)

Narrated by the Jackson Pollock painting Blue Poles, this highly original novel tells the story of the artwork, which was controversially purchased by the Australian Government in 1973, and the equally controversial artist who created it.

‘The Family Doctor’ by Debra Oswald (2021)

A crime novel about a family GP who decides to take the law into her own hands after dealing with one too many domestic violence victims.

‘The Second Son by Loraine Peck (2021)

An action-packed gangland crime novel set in Sydney’s western suburbs that combines the all-male world of violent crime with the moral and ethical dilemmas this creates for the women who have married into it.

‘Coonardoo’ by Katharine Susannah Prichard (1929)

This notorious Australian classic was the first Australian novel to feature a loving relationship between a white man and an Aboriginal woman — and created a scandal upon publication.

‘One Hundred Days’ by Alice Pung (2021)

A teenage girl living in a high rise flat in Melbourne is smothered by her over-protective mother and forced to stay indoors for 100 days when she falls pregnant.

‘Sheerwater’ by Leah Swann (2020)

A fast-paced eloquently written literary crime novel in which a woman on the run from her abusive husband loses one of her children en route — but did he just wander off or was he kidnapped?

‘The Inland Sea’ by Madeleine Watts (2021)

A coming-of-age story about a troubled young woman working as an emergency call dispatcher at a time of unprecedented ecological disaster.

Have you read any of these books? Or have any piqued your interest?

You can see all my wrap-ups for previous years of the Australian Women Writers Challenge as follows: 2020 here, 2019 here, 2018 here, 2017 here and 2016 here.

In 2022 the Australian Women Writers’ Challenge is switching focus to help raise the profile of women writers from the 19th- and 20th-century who may not have achieved prominence in their lifetimes, or whose works have been forgotten and/or overlooked. Visit the official website for more info. 

Australia, Australian Women Writers Challenge, Author, AWW2021, Book review, crime/thriller, Fiction, Fremantle Press, Karen Herbert, Publisher, Setting

‘The River Mouth’ by Karen Herbert

Fiction – paperback; Fremantle Press; 256 pages; 2021. Review copy courtesy of the publisher.

Karen Herbert’s The River Mouth is an impressive debut crime novel set in a small coastal town in Western Australia.

An old case is re-opened

It has been 10 years since local teenager Darren Davies was murdered. He was shot dead and found floating face down in the Weymouth River. No one has ever been convicted of the crime.

But now his mother, Sandra, receives some unexpected and disturbing news: her best friend, Barbara, has been found dead in the Pilbara, in the north of the state, and forensics have discovered a match — her DNA matches the DNA found under Darren’s fingernails all those years ago. Did Barbara kill her best friend’s son, and, if so, why did she do it?

The story alternates between the present day  — following Sandra as she tries to make sense of the situation and the newly reopened police investigation (she refuses to believe her friend had anything to do with the murder of her son) — and the past when Darren and his friends hung out together in the 25 days leading up to his death. The case is clouded by a series of rapes (or attempted rapes) of teenage girls around the time that Darren was killed.

As these twin narratives unfold, the author provides a steady drip-feed of new information and clues to help shape the reader’s perception of what might have happened and who might be involved. There’s a list of potential culprits, including Darren’s trio of teenage friends and his adopted father, which is only matched by a series of well-kept secrets involving everything from teenage romance to money made in illicit ways. The small-town intrigue resonates off the page.

Great cast of characters

The story is populated by a strong cast of characters — the teenage boys are particularly well-drawn and Sandra, who is a nurse at the local hospital, is a strong, resilient lead, the kind of woman who just gets on with things and sees the best in everyone.

The sense of time and place, swinging backwards and forwards by a decade, is expertly done. There’s plenty of cultural references — to movies, music and TV shows, and even the ubiquitous visit to a video store — to provide the right level of historical “flavour”.

The River Mouth also brilliantly captures the minutiae of small-town life, where everyone knows everyone else’s business (or thinks they do).

It’s incredibly well-plotted, so much so I failed to guess the culprit. But this is not a twist-driven novel (thankfully); its pacing is gentle as the twin storylines take their time to unfold. And the resolution, which caught me by surprise, feels believable, unlike so many other crime novels which tend to tie things up in preposterous ways.

I really look forward to seeing what Karen Herbert comes up with next!

This is my 23rd book for #AWW2021. I also read this book as part of my #FocusOnWesternAustralianWriters because the author grew up in Geraldton on the midwest coast of Western Australia and now lives in Perth. You can find out more about this ongoing reading project here and see what books I’ve reviewed from this part of the world on my Focus on Western Australian page.