Tag: Randolph Stow

Book lists

16 books for 16 years of blogging

kimbofo

Sometime this week marks the 16th birthday of this blog. (I’m not sure of the definite date, only that it was the first week of March 2004.)

To celebrate the occasion I thought I’d create a special list, choosing an influential book for every year I’ve been blogging.

Each of the 16 books I have chosen left a lasting impression on me in some way, either by taking me into new reading territory or introducing me to a new favourite author.

Without further ado, here is my list arranged in chronological order beginning with 2004.

Year: 2004
Book: ‘Towards the end of the Morning’ by Michael Frayn
What it is about: A comedy of manners featuring two Fleet Street journalists in the 1960s who spend most of their time in the pub wishing they could break into the more lucrative business of television reporting.
How it influenced me: It opened my eyes to a whole new “genre” of books about newspaper journalists. I’ve read quite a few since then and have a list of my favourite 10 here.

Year: 2005
Book: ‘Three to see the King’ by Magnus Mills
What it is about: An allegory exploring whether the grass is greener on the other side.
How it influenced me: Reading this strange, quirky book turned me into a lifelong Magnus Mills fan. I’ve read all of his novels since then. You can read those reviews here.

The Barracks by John McGahern

Year: 2006
Book: ‘The Barracks’ by John McGahern
What it is about: A former nurse in war-torn London returns to rural Ireland, where she marries a policeman much older than herself and becomes stepmother to three children. When she develops breast cancer, she hides the diagnosis from everyone bar the local priest.
How it influenced me: After reading this book it made such an impression on me I went out and bought McGahern’s entire back catalogue. That same year I read two more by him. He promptly became my favourite writer. I even went to County Leitrim, where McGahern was from, to hunt out haunts mentioned in his novels and his memoir.

Year: 2007
Book:  ‘The Blackwater Lightship’ by Colm Toibin
What it is about: Three generations of Irishwomen, estranged for years, reluctantly join forces to look after one of their own who has a serious life-threatening illness.
How it influenced me: It turned me into a life-long Toibin fan and I’m slowly but surely making my way through his backlist. This is what I have reviewed so far.

Tarry Flynn

Year: 2008
Book: ‘Tarry Flynn’ by Patrick Kavanagh 
What it is about: This is a joyous bittersweet novel about a bachelor farmer in rural Ireland in the 1930s.
How it influenced me: It opened my eye to the concept of “rural novels”, especially ones about farming, which I have sought out ever since.

Merry go round in the sea by randolph stow

Year: 2009
Book: ‘The Merry-Go-Round in the Sea’ by Randolph Stow
What it is about: A gentle coming-of-age story set in Geraldton, Western Australia during the Second World War.
How it influenced me: I loved this book so much I actually read it twice in a year. It also made me want to read his entire back catalogue, but at the time most of it was out of print. Fortunately, Text Classics has since rectified this and I have them all lying in wait.

Year: 2010
Book: ‘This Human Season’ by Louise Dean
What it is about: Set in Belfast at the height of The Troubles, this profoundly moving story looks at both sides of the “dirty protest” carried out by political prisoners held in The Maze prison.
How it influenced me: As well as making me want to read more books by Louise Dean, it encouraged me to seek out more novels from Northern Ireland. Through this exploration, I have discovered the likes of David Park and Deidre Madden.

Devotion of Suspect X

Year: 2011
Book:  ‘The Devotion of Suspect X’ by Keigo Higashino
What it is about: This is an extraordinary crime novel that bucks the normal conventions of the genre: we know from the outset who has committed the crime, how they did it and who has helped cover it up, but we don’t know the steps taken to protect the real murderer.
How it influenced me:  This book got me into Japanese crime fiction, including several by Higashino, as well as wider Japanese literature.

Plainsong by Kent Haruf

Year: 2012
Book: ‘Plainsong’ by Kent Haruf 
What it is about: Set in rural Colorado in the 1980s, this gorgeously bittersweet story follows the trials and tribulations of a handful of diverse but interesting characters, including two old bachelor brothers, who run a farm and take in a pregnant teenager kicked out of home.
How it influenced me: This book rocketed straight into my all-time favourite reads. I loved its rural setting (see Tarry Flynn above) and its eccentric, warm-hearted characters, but most of all I loved the eloquent and elegant prose style. I have since read all of Haruf’s backlist. Sadly, his death a few years ago means there’s no more left for me to read.

Year: 2013
Book: ‘Of Human Bondage’ by W. Somerset Maugham [not reviewed]
What it is about: This doorstep of a novel follows the life and times of an orphan with a club foot who is raised by a strict and religious uncle in the English provinces, but flees, first to Germany, then to Paris, before settling in London to study medicine. It’s a profoundly moving book because it shows what happens to people when there is no welfare state. I loved this book so much I couldn’t bring myself to review it.
How it influenced me: Since reading this book, I’ve been happily working my way through W. Somerset Maugham’s backlist. This is what I have reviewed so far.

Year: 2014
Book: ‘Black and Proud: The Story of an Iconic AFL Photo’ by Matthew Klugman and Gary Osmond [not reviewed]
What it is about: This award-winning book examines racism in sport. It charts the story behind the image that is on its front cover — Aboriginal Australian AFL footballer Nicky Winmar pointing to his chest declaring he was “proud to be black” after enduring racist abuse during a football match on 17 April 1993 — and puts it into the wider context of Australian society.
How it influenced me: I’m not a football fan, but this book proved to be a compelling account of an important issue. I read Anna Krien’s Night Games: Sex, Power and Sport, which is about rape culture in the AFL world, at around the same time and it was equally as compelling. But the Winmar story was the one that sent me off on a new journey exploring indigenous issues, including Stan Grant’s Talking to My Country and Cal Flynn’s Thicker Than Water: History, Secrets and Guilt: A Memoir.

Year: 2015
Book: ‘The Good Doctor’ by Damon Galgut 
What it is about: Set in post-apartheid South Africa, this is the story of two doctors working in a deserted rural hospital who must share lodgings. It is a fascinating portrait of male friendship amid huge societal changes as the “new” South Africa shakes off its dark history.
How it influenced me: This book, with its effortless, dreamy prose, turned me into a Galgut fan. I’ve read four more novels by him since reading this one.

Walking Free by Dr Munjed Al Muderis

Year: 2016
Book: ‘Walking Free’ by Dr Munjed Al Muderis (with Patrick Weaver)
What it is about: The true-life story of an Iranian refugee who was held in Curtin Immigration Detention Centre in the remote Kimberly region of Western Australia. After surviving this hellhole for 10 months, he eventually gained his freedom. He is now one of the world’s leading specialists in osseointegration in which prosthetic limbs are implanted and fused into bone Terminator style.
How it influenced me: This book opened my eyes to Australia’s shameful and inhumane policy of detention for refugees and asylum seekers, and made me more conscious of the issues facing those people seeking new lives against the odds.

Down in the city by Elizabeth Harrower

Year: 2017
Book: ‘Down in the City’ by Elizabeth Harrower
What it is about: Set in Sydney one hot summer, it tells the story of an abusive marriage between two people from opposite ends of the social spectrum.
How it influenced me: Even though I’d read two books by Harrower before, this was the one that made me sit up and pay attention. Her ability to evoke atmosphere and to capture the inner-most workings of the human soul are just brilliant. I am on a mission to read all of Harrower’s work. This is what I’ve read so far.

Lie with me

Year: 2018
Book: ‘Lie With Me’ by Sabine Durrant
What it is about: This book nicely fits into the “holidays from hell” genre. It’s a psychological thriller set on a Greek island but is told from the perspective of a nasty, conniving narrator who you are never quite sure whether to trust.
How it influenced me: I always like a good psychological-thriller-come-page-turner and it’s such a relief to find a new author who you can rely on to offer up a great story. I have since read several more by this author.

Year: 2019
Book:  ‘The Old Boys’ by William Trevor 
What it is about: This is a black comedy about four septuagenarians who all went to boarding school together more than 50 years earlier and behave very much as you would expect a group of immature schoolboys to behave — badly! They connive, cheat and backstab each other, all in an outlandish bid to establish who is “top dog”.
How it influenced me: I had previously read quite a bit of Trevor’s later work and I associated him with poignant tales of thwarted love in rural Ireland, but this book showed me that his early work was very different (this was his debut novel): it was set in London and darkly comic. I have since read several more of his earlier novels and hope to work my way through his massive backlist. All my reviews of his work are here.

So, there you have it. These are the most influential books I’ve read in the past 16 years. I’m conscious of the fact that this is a very male-dominated list. But I’m sure that if I compiled this list tomorrow, the books here would probably be different. For now, this will have to do.

Have you read any of this list? Or care to share your own influential reads?

Book lists, Focus on WA writers, Reading Projects

A Western Australian reading list: introducing a focus on Western Australian writers

kimbofo

As many of you will know, I have recently relocated to Western Australia (WA) after almost 21 years of living in the UK. I am originally from Victoria, on the other side of the country, so even though I am back “home”, as it were, I have never lived in WA before, so it is all very new and exciting — and a little bit strange.

For those who don’t know, WA is Australia’s biggest state — it makes up almost a third of the entire landmass, most of which is desert (or what you might call the Outback). The state’s population of around 2.6 million people (in 2014) live largely in the fertile south-west (home to the Margaret River wine region) and the capital city of Perth.

Until 2015, I had never stepped foot in WA. But when I did so, on an all-too-brief holiday, I immediately fell in love with the laidback lifestyle, the open spaces and the weather. I have returned for longer holidays several times since, and in June 2019 made the leap to move here permanently, choosing to settle in Fremantle, a historic port town just a 30-minute train journey south of Perth.

Living here for only a short time it strikes me how little I know about WA culture — its music, art, theatre and literature, in particular — because when you grow up on the south-east coast of the country it’s all very Melbourne and Sydney-centric. (Something I also noticed when I lived in Queensland for a few years in the mid-1990s.)

But what I have learned is that WA has a very strong literary tradition, with numerous successful writers, past and present, and a handful of independent presses, including Fremantle Press, the University of Western Australia Press and Margaret River Press, being based here.

I thought I would use my blog over the next few months to celebrate WA writers and review books written by the people who live here (or come from here). I’m regarding it as a bit of a journey of discovery and hope you might come along for the ride.

I’m not a complete ignoramus though. In the past, I have read many WA writers and I can see from my archives that I have already reviewed some, including (in alphabetical order by author’s surname):

Alan Carter

Claire G. Coleman

Amanda Curtin

Brooke Davis

Robert Drewe

Ron Elliott

Elizabeth Jolley

Gail Jones

Lynne Leonhardt

Joan London

Kim Scott

Craig Silvey

Randolph Stow

David Whish-Wilson

Tim Winton

My TBR includes novels by Josephine Wilson, Geraldine Wooller, Annabel Smith, Michelle Johnston, Marcella Polain, Madelaine Dickie, Steve Hawke and Dave Warner — just to name a few!

Have you read any of these books? Can you recommend a good read by a WA author?

Book lists

4 books published in 1965

kimbofo

The 1965 Club logoHave you heard about the 1965 Club?

It’s part of a twice-yearly initiative run by Simon at Stuck in a Book and Karen at Kaggy’s Bookish Ramblings in which everyone’s encouraged to read (and review) books published in the same year. This month (22-28 April) the focus is on books first published in 1965. (You can read more about how it works on Simon’s blog.)

If you are considering joining in, I thought it might be useful to create a small list of books I’ve read and enjoyed that were published in 1965 and which should be readily available to purchase or loan.

Here is that list, which has been arranged in alphabetical order by author’s surname — hyperlinks take you to my full review.

Aunts up the cross by Robin Dalton

‘Aunts Up the Cross’ by Robin Dalton (1965; republished by Text Classics in 2015)
Charming (and often outrageously funny) memoir about growing up in Bohemian Sydney during the 1920s and 30s by the leading UK literary agent of the 1960s.

The Dark by John McGahern — 2008 book cover

‘The Dark’ by John McGahern (1965; republished by Faber in 2008)
Semi-autobiographical novel about an Irish boy’s painful adolescence and his confused, ambiguous relationship with his violent, widower father.

Merry go round in the sea by randolph stow

‘The Merry-Go-Round in the Sea’ by Randolph Stow (1965; republished by Penguin Modern Classics in 2008)
Deeply moving coming-of-age story set in Geraldton, Western Australia during the Second World War by one of Australia’s most under-rated writers.

‘The Boarding House’ by William Trevor (1965; republished by Penguin in 2014)
Ealing-like comedy set in a Wimbledon boarding house peopled by eccentrics and oddballs intent on remaining residents after the death of their live-in landlord.

Have you read any of these books? Can you name any others published in 1965? If you are taking part in the 1965 Club, which book have you chosen to read? I’m planning on reading ‘Stoner’ by John Williams, which was originally published by Viking Press in 1965 and has been languishing in my TBR for at least a decade.

10 books, Book lists

10 (more) of my favourite novels from Australia

kimbofo

10-booksTo mark Australia Day (26 January), I thought I would put together a list of some of my favourite Australian novels.

This isn’t the first time I’ve done this: back in 2005 I published a list entitled 10 of my favourite novels from Australia. But a lot has changed since then: my tastes have broadened, I have better access to books (thanks to the internet) and I’m more aware of new Australian fiction at the time of release (again, thanks to the internet and especially to the Australian bloggers I follow).

Since 2005, I’ve read more than 100 Australian books and these have spanned everything from historical fiction to psychological thrillers, much-loved classics to contemporary literary fiction. Gone are the days when I thought Australian novels only revolved around convicts or pioneers!

This new list features 10 of my favourite reads from the past decade. The books have been arranged in alphabetical order by author surname. You can click on each book title to read my review in full.

‘The Burial’ by Courtney Collins (2013)

The Burial by Courtney Collins

The Burial tells the tale of Jessie Hickman, a female bushranger who rustles horses and duffs cattle, in the years after the Great War. Part adventure tale, part romance, part Western (but without the gunslinging), it’s a dramatic story told in a visual, exhilarating — and memorable — way.  Jessie, who is based on a real female bushranger, is wonderful company — feisty, unafraid, daring and brave — and I loved spending time with her.

‘The Narrow Road to the Deep North’ by Richard Flanagan (2014)

Narrow Road to the Deep North by Richard Flanagan

I’ve read all of Richard Flanagan’s novels and reviewed most of them, but this book was so profoundly moving I couldn’t find the words to do it justice, so instead of reviewing it on this blog I just went around and told everyone they had to read it! Of course, I could have chosen almost any one of Flanagan’s novels to include here, but The Narrow Road to the Deep North, which won the Man Booker Prize in 2014, spoke to me in a way few books over the past decade have done so. It’s an unforgettable account of one man’s experience as a doctor in a POW camp and the long-lasting impact of what happened to him and his friends during that time. It’s also a tragic love story between a man and the woman he wasn’t supposed to fall in love with.

‘Five Bells’ by Gail Jones (2011)

Five Bells by Gail Jones

Five Bells is set in Sydney on a single summer’s day in 2008. It tells the stories of four individual characters — Ellie, James, Catherine and Pei Xing — as they criss-cross the city. This is not a plot-driven novel, but one in which the characters’ inner lives take centre stage. I loved Jones’ rich use of language and the ways in which she plays with images and motifs throughout, and the stories stayed with me long after the final page. (As an aside, I could have easily chosen Jones’ Sixty Lights in this slot, which is another evocatively written story, but set in Victorian London, not contemporary Australia.)

‘Utopian Man’ by Lisa Lang (2010)

Utopian Man by Lisa Lang

Lisa Lang’s debut novel is a sheer delight from start to finish. The central character is Edward William (E.W.) Cole, a real life legendary eccentric who built a magnificent retail emporium in Melbourne during the 1880s. This included a fabulous three-storey book arcade, supposedly filled with a million books. The novel charts Coles’ life in two-yearly increments and shows how this extraordinary man, who championed equality and was exceedingly generous to all and sundry, always saw the good in people despite suffering small tragedies and scandals himself. It’s a charming read about a charming man, and I wish more people knew about it.

‘Seven Types of Ambiguity’ by Elliot Perlman (2005)

Seven Types of Ambiguity by Elliot Perlman

I have Eliot Perlman to thank for opening my eyes to a whole new world of Australian fiction for this is the book that made me realise there was more to Australian literature than novels about convicts and pioneers! Set in contemporary Melbourne, it showed me my home town in ways I’d never come across before in contemporary fiction. Admittedly very baggy and overwritten (I would level the same charge against all of Perlman’s novels even though I admire his work), I loved its breadth and scope: it’s a  psychological thriller, a court room drama, a romance, a satire, an insightful commentary on modern-day existence, morals and values, and a kind of literary juggernaut that borrows the title of a well-known non-fiction book by William Empson on literary criticism. Throw in politics, big business and prostitution and pretty much every genre and theme is covered here. What’s not to like?

‘The Shiralee’ by D’Arcy Niland (1955)

The Shiralee by D'Arcy Niland

The Shiralee counts up there as one of my top three Australian books of all time (the other two are George Johnston’s My Brother Jack and Randolph Stow’s The Merry-go-round in the Sea). It’s a wonderful tale set during the Great Depression about a swagman (an itinerant worker) who travels rural NSW in search of work accompanied by his four-year-old daughter, Buster, whom he initially regards as his “shiralee”, a slang word for burden. Six months earlier he “kidnapped” Buster from her city-based mother, after he discovered his wife in bed with another man, but this well-meaning act is now taking its toll: Buster talks too much and slows him down and he’s constantly worrying about how to feed and protect her. It’s very much a novel about father-daughter relationships, and provides a fascinating glimpse of a past way of life where friendship and camaraderie between people “on the road” was so vital to their survival.

‘Benang: From the Heart’ by Kim Scott (1999)

Benang

This book challenged me on many levels but left a deep impression on me. Essentially it is about Australia’s history of white subjugation of indigenous people. This deeply poignant and haunting story is narrated by Harvey, who is of aboriginal descent but has been raised to believe he is a white man because all the aboriginal blood has been bred out of him. But in being raised in one culture while forced to ignore another, Harvey feels that something is missing from his life — and this book is an attempt to reconnect with his ancestors and to try to understand why his grandfather was so keen to “breed out” the aboriginal blood in the family line. I came away from this book feeling a mixture of joy and sorrow, anger and regret. I still think about it four years down the line…

‘The Merry-Go-Round in the Sea’ by Randolph Stow (1965)

Merry go round in the sea by randolph stow

I loved this book so much I read it twice — and I’ve lost count of the number of times I’ve recommended it to people looking for a quintessential Australian read. Largely semi-autobiographical, it tells the story of Rob Coram, who is just six years old when the book opens, and his relationship with his older cousin, who joins the Army to fight in the Second World War. It’s a beautiful, somewhat nostalgic look at what it was like to grow up in one of the most remote areas on the planet, sandwiched between the desert and the Indian ocean, at a time when the war was raging in Europe, and the Japanese were getting closer and closer to invading Australian soil. It’s very much a coming-of-age story and has a truly authentic feel for the time and the place.

‘The Slap’ by Christos Tsiolkas (2009)

The cover of Christos Tsiolkas' acclaimed novel, The Slap.

Set in suburban Melbourne, The Slap is one of those bold, brash and visceral novels that stays with you long after the final page. The whole story unfurls from one seemingly minor incident at a family barbecue when a man slaps a child who is not his own. This one event has drastic repercussions on all of those people present. It tests friendships, marriages and family relationships, and it divides people into two distinct groups: those that think the child deserved it, and those that think the slap constitutes child abuse. I loved the scope and ambition of this novel (perhaps more than its execution) and raced through it in a matter of days. And the eight-part Australian TV adaptation is possibly the best thing to come out of Australia since Tsiolkas himself.

‘Eyrie’ by Tim Winton (2014)

Eyrie by Tim Winton

I’ve only read a handful of Tim Winton’s novels, but this one — his latest — is a brilliant look at contemporary Australia, awash with cash from the mining boom yet ethically and morally bankrupt. It tells the story of Tom Keely, a middle-aged spokesman for an environmental campaign group, who has lost his high-flying, highly pressurised job for daring to speak the truth. Now, holed up in a flat at the top of a grim high-rise residential tower, he lives like a recluse, until he becomes entwined in his neighbour’s messy life. What ensues is a bumpy — and seedy — ride,  far removed from his middle-class upbringing.  Despite Eyrie tackling some weighty subjects, it’s done with a lightness of touch and plenty of humour. I loved this book so much, I read it twice — in quick succession.

Have you read any of these books? Do you have a favourite Australian novel? Is anything missing from my list?

Australia, Author, Book review, Fiction, literary fiction, Publisher, Randolph Stow, Setting, University of Queensland Press

‘To The Islands’ by Randolph Stow

kimbofo

ToTheIslands

Fiction – paperback; University of Queensland Press; 208 pages; 2002.

Randolph Stow was an Australian writer who achieved great literary success in his early years. When he was just 22 he won the the 1958 Miles Franklin Award for To The Islands and the ALS Gold Medal, for the same book, in 1959. In 1978 he won the Patrick White Award. But ask the average Australian who he is or, better still, ask them to name the title of one of his books and you will probably be greeted with a blank face.

Perhaps it doesn’t help that Stow only wrote a handful of novels and that he emigrated to the UK circa 1970, effectively turning his back on the Australian literary scene. But it seems such a shame that a man who could craft such amazing fiction, including his mesmirising The Merry-Go-Round in the Sea (which I read twice last year I loved it so much) could fall into relative obscurity so quickly.

I read To The Islands not long after I heard that Stow had died of liver cancer, here in the UK, in late May. (The news story of his death, published in The Australian, is very touching, but the comments are particularly telling of how dearly he was held in the affection of so many.)

It’s an astonishing read, not least because he was just 22 when he wrote it (and this, I have to point out, was not his first novel, but his third). It’s not only ambitious in scope, but there’s a wisdom to the story that belies his years. That the book is largely told through the eyes of an ageing Anglican missionary confronting his own inner demons seems a remarkable work of imagination and daring for one so young.

Stow’s carefully studied observations about the relationships between white Europeans and Aboriginals are also particularly perceptive. That may not be too surprising given he did spend some time working as a storeman on an Anglican mission in the far north of Western Australia immediately after graduation, but even so, he has captured the fear, violence and misunderstanding between blacks and whites incredibly well, and he has not been afraid to cast a light on some of the darkest, most gruesome events, in Australian history.

The story, as you may have gathered, is set on a remote mission in the Western Australian outback in 1957. Here, the Church of England provides lodging, employment and medical care for aboriginals, a race which has few civil rights  (“Someday we all be citizens, eh, brother?” quips one aboriginal to one of the brothers in an early scene) and is forbidden to drink alcohol. (In the preface to my edition, Stow points out that alcohol did not become a problem until the 1970s.)

An ageing missionary, Stephen Heriot, has ruled the mission for decades. One of the younger missionaries, Helen, describes him as “stone and iron” and “impassive, accustomed through decades to deal with wooings, marriages, disputes”.

But when Rex, a troublesome aboriginal, returns to the mission, Heriot is determined to have him banished. Younger members of the mission are less sure about sending him away (“It begins to look a bit like victimisation,” Way warns him; “He not a bad man, Rex. You don’t give him no chance,” says a fellow aboriginal, Richard.)

But one wild night, in the middle of a storm, Heriot believes he may have killed Rex. Full of remorse, he flees the mission on horseback, taking a rifle and a box of cartridges with him. What follows is a kind of adventure story, in which Heriot, confronted by the enormity of the unexplored wilderness around him, begins to experience a spiritual awakening. Meanwhile, his fellow missionaries try to track him down, convinced that Heriot plans to kill himself…

There’s no getting away from the fact that this is a quintessential Australian story. Stow’s descriptions of the landscape are always beautiful and, for this expat Australian, homesick-inducing. But even if you have never been to Australia, Stow has a way of conjuring the beauty of the surroundings that will make you feel like you have walked the terrain, smelt the eucalyptus, swum in the creeks and billabongs, seen all the amazing wildlife around you.

From the water flagged with lily leaves, lilies flowering among them, birds rose in sudden stages with a clatter of wings. Ibis and white cranes climbed slowly, wild ducks wheeled, and returned, and flew off again. Geese trailed their long cry over the plain, a single black jabiru following.
Before they had gone the children were already in the water, floundering among the lilies, crying to one another of the coolness of it and of its richness in ducks and flowers. The small children danced naked in the shallows with shining skins. The others, in brief pants, some girls in their dresses, dolphined among the lily stems.

It’s interesting, too, to see how prescient Stow’s views are on race relations given he penned the novel more than 50 years ago. I particularly liked this exchange between Heriot and one of his fellow missionaries, Way:

“As they [the aboriginals] lose simplicity they lose direction. So, what are we going to do with them? Who’s going to teach them trades, give them confidence in themselves? Drive them out of this inertia they fall into now their pride’s grown enough to make them want above everything to have some sort of competence. I don’t know the answers.”
“We’re promised a technical school, some day, somewhere within a hundred miles.”
“I wish it well,” said Heriot. “And you. Because you’re coming to the most heartbreaking phase in the history of this problem.”
“We’ll do our best, I hope.”
“I hope,” echoed Heriot, and looked at Way, that capable middle-aged man, reflectively and approved him. “You’ve time, I think, to see enormous changes, perhaps the end of physical misery among them, as the old ones die out in the way we old ones do. But in the end you’ll have something else to face – misery of the mind. And that will be the hardest, Way.”

This is a fascinating novel, one that can easily be read in one sitting, although I think it probably requires at least two read-throughs to fully come to grips with all the ideas presented. Many literary critics have dubbed it a “masterpiece” and I can see why.

As an aside, I read the “very slightly abridged” 1982 edition (which was republished by UQP in 2002) and not the original. Stow says he revised it because it contained “many faults, due partly to immaturity, but more to the fact that my technical competence was not equal to my ambition, which in retrospect makes me realise how horizons narrow in middle age”. (The great Irish writer John McGahern did much the same with his 1974 novel The Leavetaking for similar reasons, so he’s in good company. And, if I’m honest, there’s much about Stow’s work that reminds me of McGahern.)

Stow also claims to have cut out some of the Christian mission-station propaganda involving a “good deal of talk by the white characters about their difficulties and hopes, and even a very tepid love-interest, introduced not for its own sake but to suggest that at least two Europeans would remain committed to the Mission”.

Sadly, To The Islands seems to have fallen out of print, although you might score a very cheap second-hand copy on Amazon Marketplace if you are lucky.

For another take on the same novel, please read Lisa Hill’s review on ANZ LitLovers LitBlog.

Books of the year

My favourite books of 2009

kimbofo

Books-of-the-yearAs we get ready to toast the turn of the decade, it’s time for me to name the best novels I read in 2009. All of them garnered five-stars when I reviewed them over the course of the year.

My top 10 fiction reads are as follows (in alphabetical order by book title):

‘A Far Cry From Kensington’ by Muriel Spark (first published in 1988)
To say I was utterly charmed by it would probably be an understatement. This is a deliciously enjoyable story that is so perfectly constructed it’s almost impossible to find fault with it — on any level. The prose is simple, the characters believable and the plot expertly drawn, so that you’re never quite sure where it’s going to take you and then feel overwhelmingly satisfied when you arrive at its destination.

‘A Woman of My Age’ by Nina Bawden (1967)
A Woman of My Age is definitely a product of its times, when women married young and were expected to stay at home and raise a family. But in Elizabeth Jourdelay, Bawden has created a headstrong and independent character who rails against society’s ‘rules’ and constraints.

‘Eight Months on Ghazzah Street’ by Hilary Mantel (1998)
Eight Months on Ghazzah Street is a psychological thriller of the finest order. It reads like a woman on the verge of a nervous breakdown, but because Frances is an intelligent worldly wise woman, you know that her fears aren’t fickle. Mantel builds up the tension slowly but surely, revealing Frances’ increasing sense of foreboding through diary entries that are interspersed throughout the third-person narrative.

‘Flowers for Algernon’ by Daniel Keyes (1966)
Daniel Key’s Flowers for Algernon is a very special science fiction novel that reveals much about the human condition and the ways in which we relate to others. It touches on many issues including the way we treat the mentally handicapped, the ethics of scientific experimentation on animals (and humans), our desire to be ‘normal’, the differences between IQ and EQ, and the ways in which our childhood experiences impact on our adult lives.

‘The Merry-Go-Round-in the Sea’ by Randolph Stow (1965)
Essentially the book, which was first written in 1965, is a coming-of-age story. It is set in Geraldton, Western Australia, where the author, who now lives in England, was born. Although my Penguin Modern Classics edition claims it is “not a self portrait” there’s no mistaking The Merry-Go-Round in the Sea‘s semi-autobiographical roots. It has a truly authentic feel for the time and the place, and it’s easy to find yourself entirely immersed in this world, smelling the eucalyptus wafting on the breeze and feeling the hot sand of the beach between your toes.

‘Nineteen Eighty-Four’ by George Orwell (1949)
The thing that struck me most was how much of this futuristic novel was deeply rooted in the time in which Orwell wrote it. There are echoes of war-torn London throughout this book […] Obviously there’s a lot of stuff that feels incredibly prescient today: the so-called War on Terror and its resultant erosion of civil liberties; the increasing reliance on media spin, particularly by government agencies; and the ever-present CCTV surveillance, especially here in the UK.

‘Once & Then’ by Morris Gleitzman (2009)
Once & Then is a powerful story about the strength and resilience of the human spirit. It’s about courage and hope, and surviving against the odds. And while it tackles one of the darkest times in 20th century history, Gleitzman does it sensitively without losing any of the important detail. There’s plenty of death here, and
cruelty, but it’s not sensationalist or gratuitous. ‘This story is my imagination trying to grasp the unimaginable,’ he writes in his afterward. I think he’s achieved it.

‘Pretty Monsters’ by Kelly Link (2009)
There are nine stories here, some of which have been published elsewhere in the past, and each one presents an intoxicating, hugely original world […] I’ve never read such a wacky collection of stories that gripped me, held me in their sway and slightly altered my perception of the universe when I came to each stunning conclusion. Where has Kelly Link been hiding all my life? She’s bloody brilliant.

‘The Shiralee’ by D’Arcy Niland (1955)
The book has a big heart. It’s funny in places and sad in others. It’s occasionally tender, occasionally brutal. It’s humble, knowing and wise. Sometimes it makes you feel ashamed to be human, at other times it makes you feel proud. And, above all, it makes you wish every book was written like this: forthright, absorbing and genuinely moving.

‘The Wilderness’ by Samantha Harvey (2009)
Samantha Harvey is an exquisite writer and a skilled novelist. The Wilderness is so accomplished on so many different levels — stylistically, creatively, intellectually — that it seems astonishing that this is her first novel.”

What books did you most enjoy this year?

Australia, Author, Book review, Fiction, literary fiction, Penguin Modern Classics, Publisher, Randolph Stow, Setting

‘The Merry-Go-Round in the Sea’ by Randolph Stow

kimbofo

MerryGoRound

Fiction – paperback; Penguin Modern Classics; 408 pages; 2008.

I loved Randolph Stow‘s The Merry-Go-Round in the Sea so much I read it twice. First, in March, then again last week. And on both occasions I found myself falling in love with the story and wishing it would never end. I’m sure I could read it a third time (a fourth time, a fifth time… you get the idea) and not grow sick of it. It’s one of those beautiful stories that’s easy-to-read but if you dig a little deeper you’ll unravel layers of meaning.

Essentially the book, which was first written in 1965, is a coming-of-age story. It is set in Geraldton, Western Australia, where the author, who now lives in England, was born. Although my Penguin Modern Classics edition claims it is “not a self portrait” there’s no mistaking The Merry-Go-Round in the Sea‘s semi-autobiographical roots. It has a truly authentic feel for the time and the place, and it’s easy to find yourself entirely immersed in this world, smelling the eucalyptus wafting on the breeze and feeling the hot sand of the beach between your toes.

It’s a beautiful, somewhat nostalgic look at what it was like to grow up in one of the most remote areas on the planet, sandwiched between the desert and the Indian ocean, at a time when the Second World War was raging in Europe, and the Japanese were getting closer and closer to invading Australian soil. When the story opens in 1941 the Japanese have yet to bomb Darwin (that happens in February 1942) but the threat feels very real.

Young Rob Coram is just six years old and his life revolves around school, playing at the beach and avoiding his younger sister, Nan. His father, a quiet, solitary man, is stationed at the local garrison and plays little part in his life, and even less so when the family is evacuated to the rural hinterlands. It is here that we are introduced to Rob’s favourite cousin, Rick, who at 20 years old has given up his law studies to join the Army. Rob is devastated.

The book follows both their lives over the next eight years and is divided into two parts: “Rick Away 1941-1945” and “Rick Home 1945-1949”.

It’s the second part which is probably more moving of the two, because Rick’s time as a prisoner of war in Mandalay has scarred him psychologically and he finds it difficult to readjust to normal life. When Rob hears someone describe his beloved cousin as “immature” he adds it to a catalogue of offences in which “everything was wrong with Rick” :

Rick was immature.
He was lazy.
He was a narcissist.
He used dirty language. […]
He talked like Hitler about the Bomb.
He fainted.
He cried in his sleep, and when he had got drunk at Andarra on New Year’s Eve.
He had stayed at the very bottom of the Amy.
He had given up his campaign ribbons to a kid in the street as soon as he got them.
He had not given his campaign ribbons to Rob.

The prose style is simple and perfectly encapsulates the mindset of the boy. It’s incredibly poetic in places, not surprising given Stow’s career (he’s had much poetry published), and his beautiful descriptions of the landscape and the changing seasons, are reminiscent of Irish writer John McGahern:

The dark grey berry-bushes on the vacant land grew green and soft-looking, and put out small, mauve-tinged flowers. Then spring came, loud with bees, and the red berries formed, and in many yards were yellow flowering cassias. When the petals fell, the flowers turned into writhing green snakes full of seeds. The peppertrees bloomed. At Sandalwood the olives drizzled continually, the little green-white flowers and unformed fruit whispering down. In the early mornings the harbour was polished like a blue mirror.

The merry-go-round is a recurring motif, symbolising the unity of the family and the circle of life, two themes the book revolves around (yes, pun intended). Indeed, the beauty of the story is following Rob’s transformation from the naive young boy who thinks the mast of a wrecked ship out at sea is a merry-go-round despite his mother’s claims to the contrary. (It’s only when he manages to swim out to the wreck with a friend as a teenage boy that you, the reader, realise he’s grown up and the emotional impact of this, at least for me, cannot be underestimated.)

The story deals with other themes in varying degrees, including what it is to be Australian and whether it is possible to outgrow your country; the differences between a city and rural upbringing; isolation and belonging; boyhood and adulthood; family and loneliness; war and peace.

It’s not a perfect novel (there are occasional clunky “bits” and some of the ideas and attitudes presented, especially towards aboriginals and the Japanese, are dated and offensive), but it’s a highly readable, entertaining, often funny and incredibly moving story. I’m grateful to Penguin for bringing it back into print because this is the kind of book that deserves a wider audience. I can only hope that they might do the same to Stow’s remaining back catalogue.