Algeria, Author, Book review, Fiction, historical fiction, Joseph Andras, literary fiction, Publisher, Setting, translated fiction, Verso

‘Tomorrow They Won’t Dare to Murder Us’ by Joseph Andras (translated by Simon Leser)

Fiction – paperback; Verso; 136 pages; 2021. Translated from the French by Simon Leser.

Tomorrow They Won’t Dare to Murder Us is a short, powerful novella by French writer Joseph Andras.

Set at the height of the Algerian War of Independence (1954-1962), it is based on the life of Fernand Iveton, a Communist working for the National Liberation Front (FLN), who was the only European executed during the War.

A highly unusual case

Fernand Iveton’s case is highly unusual for many reasons, so it is easy to see why an author might wish to tell his story. First, Iveton was a “pied-noir”  — a person of French origin living in French-ruled Algeria  (his mother was a Spanish Catholic and his father was French) — working on the anti-colonialist side.

Second, the bomb he planted in his locker at the power station where he worked was designed to go off when no one was in the building. He claims he did not want to kill people; he simply wanted to send a message to the authorities. In any event, he was arrested and the bomb located and defused before it ever went off.

And third, his trial lasted a single day, after which he was sentenced to death despite the fact he was not responsible for killing or injuring anyone. Attempts to have his sentence commuted by the then French president René Coty failed, and he was executed by guillotine on 11 February 1957.

Condemned to death

The story opens with Iveton preparing to plant the bomb provided to him by his accomplices, Jacqueline and Abdelkader Guerroudj, and closes with his death. (His accomplices were arrested and tried later, but neither were executed.)

In between, we learn about his arrest, interrogation and the ways in which he was tortured (mainly by electrocution and waterboarding). Later, we see how his lawyers tried to push for his death sentence to be commuted, but a high profile campaign in France had painted him as a terrorist and murderer and there was no room to sway popular opinion.

To offer some light relief, the narrative also traces Iveton’s romance and subsequent marriage to Hélène, a Polish woman who grew up in France and was a partisan in the French Resistance during the Second World War. They met when Iveton came to Paris to get an X-ray for a lung problem (which turned out to be tuberculosis) and she was a waitress at the hotel in which he was staying.

Fernand sits down and orders the set meal. Her eyes are little frosted pearls, she smiles and goes off with his order, explicit creases at the back of her skirt, ankles as slender as her wrists…

When he returns to Algeria, he paves the way for Hélène to join him, along with her son, Jean-Claude, from her first marriage, and together they set up a happy home.

Armed struggle

The strength of the story is to highlight how the “armed struggle” is never black-and-white and that people choosing to pursue violence for political ends have their reasons for doing so.

Our client is conscious of fighting for more than himself [Iveton’s lawyers tell the President of France]. He’s fighting for his country, which he wants to see free and happy, a country which guarantees to each and every one of its citizens, Muslim or European, freedom of thought and equality. Our client wants nothing else.

I came away from it thinking how history just keeps endlessly repeating and how it’s just the countries, and perhaps the religions, that change. This story, for instance, could so easily be transferred to Northern Ireland in the 1970s or the Basque Country at any time in the 50 years leading up to 2011.

Tomorrow They Won’t Dare to Murder Us was awarded France’s top literary prize for debut novels, the prix Goncourt du premier roman, in 2016, but the author declined to accept it, claiming that he didn’t believe writing should be a competition.

Author, Elena Ferrante, Elizabeth Von Arnim, England, essays, Europa Editions, Fiction, Five fast reviews, Franco 'Bifo' Berardi, Helen Macdonald, Italy, Japan, Jonathan Cape, literary fiction, memoir, Non-fiction, Publisher, Setting, translated fiction, USA, Verso, Vintage, women in translation, Yukio Mishima

Five Fast Reviews: Franco Berardi, Elena Ferrante, Helen Macdonald, Yukio Mishima and Elizabeth Von Arnim

Five-fast-reviews-300pix

‘Heroes: Mass Murder and Suicide’ by Franco ‘Bifo’ Berardi

Non-fiction – paperback; Verso; 232 pages; 2015.

Mass-murder-and-suicideAs you may gather by the title, I like my non-fiction as dark as my fiction — and Heroes: Mass Murder and Suicide, written by an Italian Marxist whose work mainly focuses on communication theories within post-industrial capitalism, plumbs some pretty black depths. But what Franco ‘Bifo’ Berardi has to say about society and, in particular, capitalism rang a lot of bells with me.

There’s a lot of hard-hitting political, economic and psychological commentary and analysis running throughout this book — produced as part of Verso Futures, which is a new series of essays by leading thinkers and writers — and not all of it is easy to understand. Some of the arguments occasionally feel a little uneven and there are sections written in a clunky academic style, but the ideas outweigh the writing style. Berardi’s main argument is that many young men — and yes, he says they are always men — commit mass shootings before turning the gun on themselves, because this new age of hyper-connectivity and relentless competition in which we live, where neo-liberal politics has stamped out egalitarianism, has divided the world into winners and losers. If you’re a disaffected young man who hasn’t achieved much it’s very easy to become a winner in a short space of time: you take a gun to school (or another public place) and kill everyone in a violent rampage. You’re in charge for 30 minutes or however long it takes and before long the whole world knows your name, even though it’s unlikely you’ll live to see the fame you’ve achieved.

Admittedly not for everyone, this book posits some interesting ideas and is recommended for those who like to explore complex moral and social issues.

‘My Brilliant Friend’ by Elena Ferrante

Fiction – Kindle edition; 336 pages; Europa Editions; 2012. Translated from the Italian by Ann Goldstein

My-brilliant-friendIt seems the whole world has fallen in love with My Brilliant Friend, the first in a four-part series by Italian writer Elena Ferrante, but I have to admit that I didn’t really warm to it, perhaps because it was too slow and gentle for me.

The story is a simple one: two girls growing up in 1950s Naples — at a time when women stayed at home and looked after their husbands and children, and girls received only a minimal education — become firm friends. But like many close relationships between teenagers, their relationship is fraught with jealousies and rivalries and they begin to grow apart as they enter the complex world of young womanhood. Elena, the narrator, is bright and does so well at school she’s encouraged to continue her education, while Lina, perhaps more intelligent than her friend, leaves school to pursue work in her family’s shoe-making business.

As well as an authentic look at female friendship, the story is an intriguing portrait of a machismo culture — there’s a lot of violence, domestic and otherwise in this tale — and an impoverished neighbourhood on the brink of political and social change. But while I admired the author’s restraint in telling the story in such simple, stripped back prose, My Brilliant Friend didn’t grip me and I probably won’t bother reading the rest in the series.

‘H is for Hawk’ by Helen Macdonald

Non-fiction – hardcover; Jonathan Cape; 284 pages; 2014. Review copy courtesy of publisher.

H-is-for-hawkIn a previous life I was the editor of a bird magazine and often commissioned articles about falconry, so I was keen to read H is for Hawk, which explores Helen Macdonald’s attempt to train a goshawk following the death of her photojournalist father. The book is actually three books in one: it’s an entertaining account of the ups and downs of training a bird of prey; it’s a moving portrait of a woman’s grief; and it’s a detailed biography of T. H. White, a troubled man who wrote a controversial book about training a goshawk in the early 1950s. These three threads are interwoven into a seamless narrative that is both compelling and illuminating.

The story is infused with a bare and sometimes confronting honesty as Macdonald comes to grips with her own failings and frustrations brought about via the clash of wills between her and Mabel, the £800 goshawk she bought especially for this project. At times it is quite an emotional book, but it’s lightened by moments of humour and it’s hard to feel anything but admiration for the dedication that Macdonald devotes to the task of taming a wild creature. H is for Hawk is probably one of the most unusual non-fiction books I’ve read, but it’s also, happily, one of the most heartfelt and intriguing ones.

‘Spring Snow’ by Yukio Mishima

Fiction – paperback; Vintage; 389 pages; 2000. Translated from the Japanese by Michael Gallagher

Spring-snowFirst published in 1968 but set in 1912, Spring Snow is the first in Yukio Mishima’s acclaimed The Sea of Fertility tetralogy. It’s a rather beautiful and austere tale about a teenage boy, Kiyoaki, who falls in love with an attractive and spirited girl, Satoko, two years his senior, but he plays hard to get and views their “romance” as a bit of a game. It is only when Satoko becomes engaged to a royal prince that Kiyoaki begins to understand his depths of feeling for her — and the enormous loss he looks likely to face unless he takes drastic action to change the course of events.

As well as being a deeply moving love story — think a Japanese version of Romeo and Juliet — the book is a brilliant portrait of Japanese society at a time when the aristocracy was waning and rich provincial families were becoming a powerful elite. Through the complex and troubled character of Kiyoaki, it vividly portrays the clash between a rigid militaristic tradition and a less restrained, Westernised way of life.

Written in lush, languid prose, filled with beautiful sentences and turns of phrase, this is one of the most enjoyable books I have read this year. It’s a dense and complex work, but is imbued with such pitch-perfect sentiment it’s difficult not to get caught up in this rather angst-ridden romance. And the ending is a stunner. I definitely want to explore the rest of the books in this series.

‘The Enchanted April’ by Elizabeth Von Arnim

Fiction – paperback; Vintage Classics; 288 pages; 2015. Review copy courtesy of the publisher.

The-enchanted-aprilThe Enchanted April is appropriately named for it is, indeed, one of the most enchanting books I’ve ever had the pleasure of reading. First published in 1922, it tells the story of four very different English women who go on holiday to Italy together without their male partners — quite a daring proposition in itself at that time in history; even more daring when you realise that none of them know each other before the month-long trip.

The holiday is first mooted by an unhappy Mrs Wilkins who sees an advertisement in The Times which captures her eye — and her imagination— looking for “Those Who Appreciate Wisteria and Sunshine” to rent a “small medieval Italian castle on the shores of the Mediterranean” for the month of April. She advertises for companions, which is how she is joined by Mrs Arbuthnot, who is fleeing an unappreciative husband; the elderly, fusty, set-in-her-ways Mrs Fisher; and the beautiful Lady Caroline, who is not yet ready to settle down but is sick of being chased by marriage-hungry young men.

In the delightful confines of the castle and its heavenly garden, the four women seek rest, recreation and respite with mixed, and often humorous, results as clashes between personalities and numerous misunderstandings ensue. A  brilliantly evocative comedy of manners and an insightful exploration of the give and take required between friends and married couples, I totally loved this warm and delightful book. It’s uplifting, fun and the perfect summer read.