Fiction – paperback; Verso; 136 pages; 2021. Translated from the French by Simon Leser.
Tomorrow They Won’t Dare to Murder Us is a short, powerful novella by French writer Joseph Andras.
Set at the height of the Algerian War of Independence (1954-1962), it is based on the life of Fernand Iveton, a Communist working for the National Liberation Front (FLN), who was the only European executed during the War.
A highly unusual case
Fernand Iveton’s case is highly unusual for many reasons, so it is easy to see why an author might wish to tell his story. First, Iveton was a “pied-noir” — a person of French origin living in French-ruled Algeria (his mother was a Spanish Catholic and his father was French) — working on the anti-colonialist side.
Second, the bomb he planted in his locker at the power station where he worked was designed to go off when no one was in the building. He claims he did not want to kill people; he simply wanted to send a message to the authorities. In any event, he was arrested and the bomb located and defused before it ever went off.
And third, his trial lasted a single day, after which he was sentenced to death despite the fact he was not responsible for killing or injuring anyone. Attempts to have his sentence commuted by the then French president René Coty failed, and he was executed by guillotine on 11 February 1957.
Condemned to death
The story opens with Iveton preparing to plant the bomb provided to him by his accomplices, Jacqueline and Abdelkader Guerroudj, and closes with his death. (His accomplices were arrested and tried later, but neither were executed.)
In between, we learn about his arrest, interrogation and the ways in which he was tortured (mainly by electrocution and waterboarding). Later, we see how his lawyers tried to push for his death sentence to be commuted, but a high profile campaign in France had painted him as a terrorist and murderer and there was no room to sway popular opinion.
To offer some light relief, the narrative also traces Iveton’s romance and subsequent marriage to Hélène, a Polish woman who grew up in France and was a partisan in the French Resistance during the Second World War. They met when Iveton came to Paris to get an X-ray for a lung problem (which turned out to be tuberculosis) and she was a waitress at the hotel in which he was staying.
Fernand sits down and orders the set meal. Her eyes are little frosted pearls, she smiles and goes off with his order, explicit creases at the back of her skirt, ankles as slender as her wrists…
When he returns to Algeria, he paves the way for Hélène to join him, along with her son, Jean-Claude, from her first marriage, and together they set up a happy home.
The strength of the story is to highlight how the “armed struggle” is never black-and-white and that people choosing to pursue violence for political ends have their reasons for doing so.
Our client is conscious of fighting for more than himself [Iveton’s lawyers tell the President of France]. He’s fighting for his country, which he wants to see free and happy, a country which guarantees to each and every one of its citizens, Muslim or European, freedom of thought and equality. Our client wants nothing else.
I came away from it thinking how history just keeps endlessly repeating and how it’s just the countries, and perhaps the religions, that change. This story, for instance, could so easily be transferred to Northern Ireland in the 1970s or the Basque Country at any time in the 50 years leading up to 2011.
Tomorrow They Won’t Dare to Murder Us was awarded France’s top literary prize for debut novels, the prix Goncourt du premier roman, in 2016, but the author declined to accept it, claiming that he didn’t believe writing should be a competition.
4 thoughts on “‘Tomorrow They Won’t Dare to Murder Us’ by Joseph Andras (translated by Simon Leser)”
I’m just finishing Alice Zeniter’s The Art of Losing, about Algeria’s troubled recent history, so this book is a must. Thanks.
Ooh, I’ve just looked that one up. It sounds fabulous!
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It is. Illuminating, well written, an a good story too. Win-win.
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I can see why you think this would be a good companion to The Art of Losing.
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