Last year I decided to embark on a project to read books from my adopted state of Western Australia. And then my plans flew out the window when I started a new full-time job in a new career just a couple of weeks later!
Alas, six months on and my working life is now (slightly) more manageable, giving me more bandwidth to get on with my reading life.
Here are three excellent books I’ve read recently by women writers from Western Australia. They are all highly recommended reads worth seeking out.
Fiction – paperback; Fremantle Press; 224 pages; 2019. Review copy courtesy of the publisher.
Red Can Origami is a brilliant, politically motivated novel about mining and the repercussions it has on local indigenous communities and the environment in general. But it’s also a deeply personal story about living in a tiny tropical town, adapting to a new lifestyle and remaining true to yourself.
It’s narrated in the second person by Ava, a journalist, who works on the local newspaper. She later takes a job as an Aboriginal liaison officer for a Japanese firm that that’s big into nuclear power. That firm is going head to head with a Native Title group in a bid to begin mining uranium on country. As the fast-paced plot races its way towards an inevitable showdown between the local community, the white do-gooders and the mining company, Ava finds herself out of her depth — and in love with a local Aboriginal man.
The novel is set in Australia’s tropical north and is as much a love letter to that landscape and climate and remote way of life as it is an exploration of morals and principles and the importance of cultural understanding and awareness. It’s written in rich, vivid language, has a cast of strong, well-drawn characters and covers some pertinent issues without being too heavy-handed. It’s a wonderfully authentic Australian story told with insight and sensitivity.
Fiction – paperback; University of Western Australia Press; 306 pages; 2018.
Dustfall is set in Wittennoom, the asbestos mining town in the Pilbara region of Western Australia, which was classified as a contaminated site and then degazetted in 2006/7. Its deadly legacy, in which hundreds of miners developed terminal mesothelioma, is the lens through which this delicately rendered story is told.
Split into two distinct time frames — one historical, one current — it looks at two doctors, a generation apart, who go to Wittenoom as a way to distance themselves from mistakes they have made in their medical careers. For Dr Raymond Filigree, working in the town’s small hospital is a way for him to rebuild his confidence, but instead, he finds himself at war with a mining company that has no respect for human life; while for Dr Lou Fitzgerald, the now-abandoned Wittenoom, full of eerie silence and empty buildings, offers a refuge from a career-ending error, but it also opens her eyes to much bigger crimes from the past when she discovers the town’s ruined hospital.
These twin narratives tapped into my own long-held fury about Wittenooom’s deadly blue asbestos mine which has been with me ever since I read Ben Hills’ Blue Murder, circa 1990, and heard Midnight Oil’s Blue Sky Mine at around the same time. Another politically charged novel, Dustfall is eloquently told but brims with slow-burning anger. It’s absorbing, intelligent — and powerful.
Fiction – paperback; Margaret River Press; 242 pages; 2019. Review copy courtesy of the publisher.
Well-behaved women seldom make history, so the saying goes. And that’s pretty much the theme of this collection of 18 short stories, which are mostly framed around women who are, as the title suggests, less inclined to rock the boat.
Many of the characters in these succinct tales live quiet lives with little fanfare, they know their place and don’t seek the limelight, they simply get on with the business of doing what they do. They are the kind of people that go unnoticed, even in death, such as the free diver in “The Sea Also Waits” who goes missing at sea during routine training and whose absence only appears to be noted by her adult daughter, or the female skeleton in “From Under the Ground” who has been buried under a lemon tree in a suburban backyard for so long even the police hold little hope of figuring out who she might be.
Then there are characters who ensure that other women don’t get above their station, such as the bitter and twisted television soap-opera-star-turned-drama-teacher in “Miss Lovegrove” who cruelly convinces her starry-eyed young hopefuls that they will never achieve acting success. “My job is to tell you that the world is sometimes a dirty, ugly place,” she tells one of her charges.
It’s hard to believe that Well-behaved Women is a debut because the writing — in the tone, the prose style and the range of subjects covered — feels so accomplished. There are some real gems in this book and it will be interesting to see what Paull comes up with next. She’s definitely a talent to watch.
These books are all by Australian women writers. I read Michelle Johnston’s novel for #AWW2019 (I just never got around to reviewing it last year). The remaining two books represent the 3rd and 4th books I have read this year for #AWW2020 and the 6th and 7th books for #TBR2020 in which I plan to read 20 books from my TBR between 1 January and 30 June.