Fiction – Kindle edition; Atlantic Books; 176 pages; 2012.
Last year, having read the extraordinarily good In a Strange Room (which made my top 10 favourite reads of 2017), I decided that Damon Galgut was now one of my favourite authors. I had previously read The Good Doctor and very much enjoyed it. Now it was time to explore more of his backlist.
A compelling chase novel
The Quarry, first published in South Africa in 1995, is a novella in which a man on the run from the law switches identity with the priest he murders.
It is a brilliant depiction of horror, suspense and murder using beautiful pared back language and an evocative South African landscape as the setting.
The prose is often poetic, especially when Galgut is describing the terrain across which the protagonist is fleeing:
He saw the mountains recede like a bite-mark on the sky and then a charred plain replaced them.
Even the way he describes the chase between murderer and policeman is beautiful:
The man climbed out of the dam and went on. When he had gone for a way he stopped and he saw the policeman come to the dam too and climb in. He experienced again the taste of the water because he knew that the other man was drinking. He sat down on the ground and waited. When the policeman climbed back out of the dam he got up again and went on. He was no longer sure that there was a difference between them or that they were separate from each other and they moved on together across the surface of the world and the sun went down and it got dark and still they continued in duet. They moved through the night in faintest silhouette like dreams that the soil was having.
The chapters are exceedingly short (there are 56 of them) but they are filled with so much suspense and drama, it doesn’t take long to race through the entire 176 pages. I read it in two short sittings.
It’s difficult to say much more, because the joy (for want of a better word) of reading this book is being carried along for the ride and not knowing what is going to happen next.
It’s not a conventional story by any stretch of the imagination and the dubious morality of the characters makes the reader feel complicit in their crimes. But this is not a crime novel (as I have seen it described) but a compelling chase novel where danger and violence lurk around every corner.
If you liked this, you might also like:
Beastings by Benjamin Myer: a dystopian-like chase novel across the wet and wild landscapes of northern England.