Book lists, Books of the year

My favourite books of 2017

I always love this time of year. It’s not only a chance to put my feet up (and read a few extra books), but it’s also when I look back over my reading year to choose the 10 books that made the biggest impression on me.

This year wasn’t a typical reading year. My day job really ate into my time, and when I did have the time, my brain was too tired to focus on reading.

Or at least that’s the impression I had until I looked back over this blog and my GoodReads account to see that I’d actually read 74 books (10 more than 2016). Interestingly, 90 per cent of those were from my TBR — in other words, books that I’d purchased myself rather than review copies supplied by publishers.

Over the course of the year, I gave myself a few projects. I read the entire shortlists for the:

(And agreed with all the winning choices, which have made my top 10 below.)

I also took part in 20 books of summer (though I only read 15) and read 10 books by Australian women writers as part of the 2017 Australian Women Writers’ Challenge.

Unsurprisingly, my top 10 favourite reads of the year are a mix of fiction by mainly Australian, Canadian and Irish writers, and because I really delved into my TBR, there’s less reliance on new books, with several being published in the 1950s and 60s.

So here’s my list. The books have been arranged in alphabetical order by author’s surname. Hyperlinks will take you to my full review.

Bird in a Cage by Frédéric Dard

Bird in a Cage by Frédéric Dard (1961)
A cleverly plotted tale of suspense (and murder) set in Paris on Christmas Eve.

My Name is Leon

My Name is Leon by Kit de Waal (2016)
Bittersweet coming-of-age story about a mixed-race boy going into foster care in the 1980s. Winner of the 2017 Kerry Group Irish Novel of the Year Award.

Smile by Roddy Doyle

Smile by Roddy Doyle (2017)
A deceptive and compelling novel about a middle-aged Irishman coming to terms with his past.

Careful He Might Hear You by Sumner Locke Elliott

Careful, He Might Hear You by Sumner Lock Elliott (1963)
Set in Great Depression-era Sydney, this warm-hearted and rambunctious novel explores one family’s emotional tug-of-war over a six-year-old boy.

In a strange room by Damon Galgut

In a Strange Room by Damon Galgut (2010)
Lush, hypnotic novel that explores longing and desire through the prism of travel.

Down in the city by Elizabeth Harrower

Down in the City by Elizabeth Harrower (1957)
Disturbing story of an unlikely marriage between two people from opposite ends of the social spectrum.

Solar Bones

Solar Bones by Mike McCormack (2016)
Award-winning stream-of-consciousness novel that charts one man’s struggle to be a good father, brother, son and husband.

Beastings

Beastings by Benjamin Myers (2014)
Gothic horror story about a priest and a poacher pursuing a woman, who’s stolen a baby, across the wild and windswept landscapes of northern England.

Bellevue Square

Bellevue Square by Michael Redhill (2017)
This year’s Giller Prize winner (and Shadow Giller winner) begins as a psychological thriller before morphing into a mesmerising tale about medicine and mental illness.

Museum of Modern Love by Heather Rose

The Museum of Modern Love by Heather Rose (2017)
This year’s Stella Prize winner asks what is art and what is its purpose, framing the story around a real-life performance art exhibition staged in New York by Marina Abramović.

Have you read any from this list? Or has it encouraged you to try one or two? What were your favourite reads of 2017?

2017 Kerry Group Irish Novel of the Year, Literary prizes

Kit de Waal wins 2017 Kerry Group Irish Novel of the Year

Writers' WeekCongratulations to Kit de Waal for winning the 2017 Kerry Group Irish Novel of the Year award late last week for her debut novel, My Name is Leon.

I’m delighted Kit won the prize: in my review I described this book as “the most bittersweet novel I’ve read so far this year”. I thought it was a really delightful story, the kind that I want to press into everyone’s hand. If you haven’t read it yet, you’re missing out on a real treat.

The €15,000 prize was presented on opening night of the annual Listowel Writers’ Week held in Co. Kerry.

The judges were AL Kennedy and Neel Mukherjee.

You can read more about the announcement on the official blog.

2017 Kerry Group Irish Novel of the Year, Author, Book review, England, Fiction, Kit de Waal, literary fiction, Literary prizes, Penguin, Publisher, Setting

‘My Name is Leon’ by Kit de Waal

My Name is Leon

Fiction – Kindle edition; Penguin; 264 pages; 2016.

Kit de Waal’s My Name is Leon wins the accolade of being the most bittersweet novel I’ve read so far this year. This delightful story about a mixed race boy going into foster care had me laughing and crying, often on the same page. It’s the kind of book I want to press into everyone’s hands, whispering the words, here, read this it really is that good.

A new life in foster care

Set in the UK in the early 1980s, the story is written in the third person but presented through the eyes of Leon, a nine-year-old boy, who lives with his mother and his newborn half-brother, Jake. But not all is well. Leon’s mother spends a lot of time in bed and seems uninterested in her new baby, leaving Leon in charge.

Eventually, Leon and Jake are taken into care. They are fostered by an older woman, Maureen, who is kind-hearted, loving and able to provide a stable environment for the brothers. The boys thrive.

But when Jake is 10 months old the brothers are split up: Jake is adopted by a young white couple, while Leon, who is too old and the “wrong” colour, is left with Maureen. Leon begins to understand he’s been abandoned: he might not see his beloved brother again (despite promises to the contrary), his mother has effectively deserted him (she’s in a rehabilitation clinic) and he no longer has any contact with his dad (who ran off when he was a youngster).

He’s a good kid though. Aside from some light-fingered thieving (money out of Maureen’s purse), he settles into his new life — only to have things up in the air again when Maureen falls ill. This is where Maureen’s older (and slightly rougher, for want of a better word) sister, Sylvia, steps into the breach:

There are too many things that Leon doesn’t like and he’s made a list of them in his head.
Sylvia.
Sylvia’s home.
Having to move to Sylvia’s house even though they said he could stay at Maureen’s house but they lied. Sylvia only stayed one night in Maureen’s house then she said she was sick of it and she was going back to her own house and he had to go with her.
The sheets on his new bed in Sylvia’s house. They’re pink.
The way Sylvia keeps going to visit Maureen in the daytime when he’s at his new school.
His new school. Again.
Sylvia calling Maureen ‘Mo’ all the time or ‘Our Mo’ to leave Leon out.
Nobody letting him talk about Jake. Maureen would let him talk about Jake and she would join in.
No one remembering that he’s got a brother.
[…] His mum not coming to get him.

When Sylvia later gives Leon a bike a new world of relative freedom opens up to him. He regularly cycles to the local allotments, where he finds a father substitute, Mr Burrows, a black man, who takes him under his wing and shows him how to plant vegetables and grow things. But even in this seemingly safe environment, there are dangers lurking, especially if you’re a nine-year-old boy caught up in events larger than yourself…

Accomplished debut novel

My Name is Leon is Kit de Waal’s first novel. Not that you’d know it. Her writing is accomplished. She really taps into the mindset of a young boy, caught between two worlds, who is smart and kind and emotionally savvy, but who is completely vulnerable to forces outside of his control. Even when he starts to do naughty things, you can’t help but love him, to want to reach into the book to help him and set him on the straight and narrow once again.

And the characterisation is superb, not only Leon, but his mentally frail mother, Carol, who just can’t get her act together; the vast cast of “anonymous” social workers, who hold Leon’s future in their hands; the large-hearted Maureen, who loves Leon like her own, and her rough-and-ready sister Sylvia, who comes to feel the same way; and Leon’s allotment friends, who become much-needed role models and mentors.

The scene-setting is perfectly pitched, with subtle references to events of the era, such as the royal wedding between Lady Diana Spencer and Prince Charles, and the race riots in Toxteth and Chapeldown, providing a proper sense of time and place.

The machinations of the fostering system and the role of social workers are expertly conveyed, perhaps no surprise given that de Waal has worked in criminal and family law, and has sat on adoption panels and written  training manuals on adoption and foster care. Her inside knowledge makes Leon’s tale all the more authentic — and heart breaking.

Perhaps the only flaw in the novel is that the plot occasionally feels laboured, but that’s a minor quibble for a book that is so full of spark and love and heart. This is the kind of story that leaves a marked impression on the reader. It’s funny, bittersweet and emotional, but it also has a feel-good factor. I loved its endearing qualities and the way in which it so perfectly captures a complicated world through the eyes of a child.

My Name is Leon was shortlisted for the 2016 Costa First Novel Award and the Desmond Elliot Prize. It has also been shortlisted for the 2017 Kerry Group Novel of the Year Award, the winner of which will be named at the end of this month.

This is my 3rd book for the 2017 Kerry Group Novel of the Year Award

If you liked this, you might also like:

Tatty by Christine Dwyer Hickey: a heart-breaking tale of a young girl, growing up in Dublin, caught in the fallout of her family’s disintegration.

Of A Boy by Sonya Hartnett (published in the UK/US as What the Birds See): a five-star read about a young boy being raised by his grandmother in suburban Australia in 1977.

2017 Kerry Group Irish Novel of the Year

The 2017 Kerry Group Novel of the Year Award shortlist

Writers' Week

Now that my Stella Prize reading is over, it’s time to shift my attention to another literary project: the Kerry Group Novel of the Year.

This is one of my favourite book prizes. It’s an annual award — worth €15,000 — for Irish fiction. Over the years it has introduced me to some brilliant reads — The Cold Eye of Heaven by Christine Dwyer Hickey and TransAtlantic by Colum McCann, to name but two — so I usually pay attention to it.

This year the winner will be announced at the opening ceremony of Writers’ Week at Listowel, in Kerry, Ireland on 31 May. Before then I hope to have read all five titles on the shortlist.

Below is a list of the books, in alphabetical order by author name, including a synopsis. Hyperlinks will take you to my reviews. Do keep coming back to this post as I will update the hyperlinks as and when I review each title.

Inch Levels
Inch Levels by Neil Hegarty
“Patrick Jackson lies on his deathbed in Derry and recalls a family history marked by secrecy and silence, and a striking absence of conventional pieties. He remembers the death of an eight-year-old girl, whose body was found on reclaimed land called Inch Levels on the shoreline of Lough Swilly. And he is visited by his beloved but troubled sister Margaret and by his despised brother-in-law Robert, and by Sarah, his hard, unchallengeable mother. Each of them could talk about events in the past that might explain the bleakness of their relationships, but leaving things unsaid has become a way of life. Guilt and memory beat against them, as shock waves from bombs in Derry travel down the river to shake the windows of those who have escaped the city.”

My Name is Leon 

My Name is Leon by Kit de Waal
“Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, and a belly like Father Christmas. But the adults are speaking in low voices, and wearing Pretend faces. They are threatening to give Jake to strangers. Since Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile — like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum. Evoking a Britain of the early eighties, My Name is Leon is a heart-breaking story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we manage to find our way home.”


The Wonder
by Emma Donoghue
“An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. Set in the Irish Midlands in the 1850s, Emma Donoghue’s The Wonder — inspired by numerous European and North American cases of ‘fasting girls’ between the sixteenth century and the twentieth — is a psychological thriller about a child’s murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul.”

Solar Bones
Solar Bones by Mike McCormack
“Once a year, on All Souls Day, it is said that the dead may return; Solar Bones tells the story of one such visit. Set in the west of Ireland as the recession is about to strike, this novel is a portrait of one man’s experience when his world threatens to fall apart. Wry and poignant, Solar Bones is an intimate portrayal of one family, capturing how careless decisions ripple out into waves, and how our morals are challenged in small ways every day.”

Nothing on earth
Nothing on Earth by Conor O’Callaghan
“It is the hottest August in living memory. A frightened girl bangs on a door. A man answers. From the moment he invites her in, his world will never be the same again. She will tell him about her family, and their strange life in the show home of an abandoned housing estate. The long, blistering days spent sunbathing; the airless nights filled with inexplicable noises; the words that appear on the windows, written in dust. Why are members of her family disappearing, one by one? Is she telling the truth? Is he? In a world where reality is beginning to blur, how can we know what to believe?”

Have you read any of these books? Or have any piqued your interest?