2020 Miles Franklin

The 2020 Miles Franklin Literary Award longlist

If you follow me on Twitter, you will know that the Miles Franklin Literary Award was on my mind at the start of the month.

Imagine my surprise today to discover the longlist had been unexpectedly dropped via the Miles Franklin Instagram account. (See here.) Of course, I then visited Lisa Hill’s blog to check whether she had any additional news (and to see how many books she had read) and read the official announcement on Perpetual’s website.

There are 10 books on the list and I’ve read three. I have a handful more on my TBR. I’m not sure I will read all the books on the longlist, but will wait for the shortlist to be announced on 17 June and try to read everything on that.

The winner of the $60,0000 prize will be announced on 16 July 2020.

Below is a list of the books, in alphabetical order by author name, with the publisher’s synopsis underneath. Hyperlinks will take you to my reviews.

The White Girl by Tony Birch
“Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families.”

Room for a Stranger by Melanie Cheng
“Since her sister died, Meg has been on her own. She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all. Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. If he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.”

Islands by Peggy Frew
“Helen and John are too preoccupied with making a mess of their marriage to notice the quiet ways in which their daughters are suffering. Junie grows up brittle and defensive, Anna difficult and rebellious. When fifteen-year-old Anna fails to come home one night, her mother’s not too worried; Anna’s taken off before but always returned. Helen waits three days to report her disappearance. But this time Anna doesn’t come back …”

No One by John Hughes
“In the ghost hours of a Monday morning a man feels a dull thud against the side of his car near the entrance to Redfern Station. He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim? So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal- less.”

Act of Grace by Anna Krien
“Iraqi aspiring pianist Nasim falls from favour with Saddam Hussein and his psychopathic son, triggering a perilous search for safety. In Australia, decades later, Gerry is in fear of his tyrannical father, Toohey, who has returned from the Iraq War bearing the physical and psychological scars of conflict. Meanwhile, Robbie is dealing with her own father’s dementia when the past enters the present. These characters’ worlds intertwine in a brilliant narrative of guilt and reckoning, trauma and survival. Crossing the frontiers of war, protest and reconciliation, Act of Grace is a meditation on inheritance: the damage that one generation passes on to the next, and the potential for transformation.”

A Season on Earth by Gerald Murnane
“Lost to the world for more than four decades, A Season on Earth is the essential link between two acknowledged masterpieces by Gerald Murnane: the lyrical account of boyhood in his debut novel, Tamarisk Row, and the revolutionary prose of The Plains. A Season on Earth is Murnane’s second novel as it was intended to be, bringing together all of its four sections – the first two of which were published as A Lifetime on Clouds in 1976 and the last two of which have never been in print. A hilarious tale of a lustful teenager in 1950s Melbourne, A Lifetime on Clouds has been considered an outlier in Murnane’s fiction. That is because, as Murnane writes in his foreword, it is ‘only half a book and Adrian Sherd only half a character.’ Here, at last, is sixteen-year-old Adrian’s journey in full, from fantasies about orgies with American film stars and idealised visions of suburban marital bliss to his struggles as a Catholic novice, and finally a burgeoning sense of the boundless imaginative possibilities to be found in literature and landscapes. Adrian Sherd is one of the great comic creations in Australian writing, and A Season on Earth is a revelatory portrait of the artist as a young man.”

The Returns by Philip Salom
“Elizabeth posts a ‘room for rent’ notice in Trevor’s bookshop and is caught off-guard when Trevor answers the advertisement himself. She expected a young student, not a middle-aged bookseller whose marriage has fallen apart. But Trevor is attracted to Elizabeth’s house because of the empty shed in her backyard, the perfect space for him to revive the artistic career he abandoned years earlier. The face-blind, EH Holden-driving Elizabeth is a solitary and feisty book editor, and she accepts him, on probation … In this poignant yet upbeat novel, the past keeps returning in the most unexpected ways. Elizabeth is at the beck and call of her ageing mother, and the associated memories of her childhood in a Rajneesh community. Trevor’s Polish father disappeared when Trevor was fifteen, and his mother died not knowing whether he was dead or alive. The authorities have declared him dead, but is he?”

Exploded View by Carrie Tiffany
“In the late 1970s, in the forgotten outer suburbs, a girl has her hands in the engine of a Holden. A sinister new man has joined the family. He works as a mechanic and operates an unlicensed repair shop at the back of their block. The family is under threat. The girl reads the Holden workshop manual for guidance. She resists the man with silence, then with sabotage. She fights him at the place where she believes his heart lives – in the engine of the car.”

The Yield by Tara June Winch
“Knowing that he will soon die, Albert ‘Poppy’ Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.”

The Weekend by Charlotte Wood
“Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her? They are Jude, a once-famous restaurateur, Wendy, an acclaimed public intellectual, and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather for Christmas at Sylvie’s old beach house – not for festivities, but to clean the place out before it is sold. Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface – and threatens to sweep away their friendship for good.”

I reckon this is a really interesting list — there are only two new names to me (John Hughes and Philip Salom) — with a mix of men and women and diverse subject matter. I’m looking forward to reading the books already on my TBR. Have you read any of these books? Or have any piqued your interest? 

Reading Australia 2016

And then we came to the end of Reading Australia 2016

Reading Australia 2016

“How’s your Australian reading year going?”

“Are you sick of reading Australian books yet?”

“Don’t you miss reading books from other places?”

During 2016 these questions hounded me every time I caught up with friends and bloggers who knew I had challenged myself to read Australian literature all year.

My response was always the same. I was enjoying the project so much that even I was surprised at how easy and fun it was proving to be. I did not feel like I was missing out. If anything, I was overwhelmed by the sheer scope and range of books available to me.

Now, looking back on an entire year’s worth of reading, I can chalk it up as one of the best reading years of my life.

Depth and breadth

I read such a diverse range of books, from psychological thrillers to personal essays about eating disorders, that I never once became bored. I was discovering some great new-to-me writers and reacquainting myself with ones I knew from long ago. It made me reassess my opinion that Australian writing was dull and obsessed with its colonial past — an opinion I formed more than 20 years ago when I worked in a bookstore and shunned the “convict fiction”, as I’d dubbed it, to spend all my money on a steady diet of (predictable) US fiction instead.

Back then I didn’t realise Australian writers were pumping out edgy crime novels, mind-bending experimental fiction and glorious literary fiction set in contemporary times, or that essay writing could be so intriguing and readable, or that memoirs could be so thoroughly engaging and, occasionally, jaw-dropping.

Perhaps in the early 1990s, the publishing industry wasn’t publishing those kinds of books (in 1991 I can safely say that I read just two Australian books that year — Tim Winton’s Cloudstreet and Ben Hills’ Blue Murder), or maybe I was too young and naive to realise there was more to the homegrown literary scene than I imagined.

Whatever the case, this past year of “reading Australia” has reignited a passion for reading books from my homeland. By year’s end, I had read a total of 53 Australian books (I also read six British titles and six Canadian titles) and know that I will continue to read many more in the year to come.

Some highlights

  • I read a surprising number of memoirs (eight in total) and a surprising number of short story collections (four).
  • I read a diverse range of true crime, all of it fascinating, well-researched and written in an engaging novelistic fashion.
  • I discovered Stephen Orr and now want to read everything he’s ever written.

Some lowlights

  • I did not make a very big dent in my TBR. At the beginning of 2016, the number of Australian titles in that pile was 128. It soon swelled thanks to a few review copies coming my way and the very many purchases I made (well, I had to buy the shortlisted titles for the Stella and Miles Franklin, didn’t I). By year’s end, it stood at 116. Oops.
  • I did not read any pre-mid-20th century classics (I had to abandon Christina Stead’s The Man Who Loved Children in the summer when I changed jobs and no longer had the bandwidth to cope with it).
  • I did not read any books by Kate Grenville, Alex Miller or Randolph Stow,  all Australian writers listed on my favourite authors page.

All up it was a brilliant year of reading, and I hope you had as much fun following along as I did in reading and reviewing so many fabulous books. I thought it might be useful to provide a list of everything I read, so here it is. The books marked * made my top 10 favourite reads of the year.

FICTION

PSYCHOLOGICAL THRILLER
CRIME
LITERARY FICTION
HISTORICAL FICTION
DYSTOPIAN FICTION
EXPERIMENTAL FICTION
SHORT STORIES

NON-FICTION

TRUE CRIME
ESSAYS
MEMOIR

Reading Australia 2016

AWW2016

35 books by women: completing the 2016 Australian Women Writers’ Challenge

Australian Women Writers Challenge 2016 badgeWhen I challenged myself to spend the year reading Australian literature, it seemed logical to also sign up to the 2016 Australian Women Writers’ Challenge — to kill two birds with one stone, as it were.

I thought I should give myself a serious target and aimed to read 30 books by Australian women.

Now that the year is drawing to a close, I’m happy to report I exceeded that self-imposed target: I read 35 books by women — and I loved (almost, but not quite) every one of them.

As well as reading all the titles on the 2016 Stella Prize shortlist, I read a wonderful mix of newly released books and old ones that had been lingering in my TBR for years. These included non-fiction and fiction — mainly literary fiction, with a side order of short stories (I read four collections) and a couple of crime novels.

I really loved taking part in this challenge. It introduced me to some wonderful writers — hello Romy Ash, Jen Craig and Lucy Treloar — and reacquainted me with “old familiars” such as Thea Astley, Marion Halligan and Charlotte Wood.

Here is my comprehensive list. The books have been arranged in alphabetical order by author’s name (click the title to see my full review):

Floundering by Romy Ash

‘Floundering’ by Romy Ash
Heartbreaking novel about two brothers “kidnapped” by their cash-strapped mother one hot summer.

Drylands by Thea Astley

‘Drylands’ by Thea Astley
This Miles Franklin winner looks at the humdrum nature of small town life and what happens when its inhabitants stop reading.

It's raining in mango by Thea Astley

‘It’s Raining in Mango’ by Thea Astley
A no holds-barred fictional story of one Australian family from the 1860s to the 1980s.

Six Bedrooms by Tegan Bennett Daylight

 ‘Six Bedrooms’ by Tegan Bennett Daylight
Collection of short stories about teenage girls growing up in the 1980s.

The Other Side of the World by Stephanie Bishop

‘The Other Side of the World’ by Stephanie Bishop
A deeply melancholy novel about emigration, marriage and motherhood set in Perth, Australia in the early 1960s.

Pathers and the museum of fire by Jen Craig

‘Panthers & The Museum of Fire’ by Jen Craig
A bold experimental novel set on a summer’s afternoon as the narrator walks across Sydney to deliver a manuscript to a bereaved family.

Elemental by Amanda Curtin

‘Elemental’ by Amanda Curtin
Gripping historical novel about a Scottish fisherwoman who escapes her circumstances to start a new life on the other side of the world.

Aunts up the cross by Robin Dalton

‘Aunts Up the Cross’ by Robin Dalton
An outrageously funny memoir about Dalton’s childhood in the 1920s and 1930s in Sydney’s Kings Cross.

Viral by Helen Fitzgerald

‘Viral’ by Helen FitzGerald
A confronting revenge thriller about sexual shaming online.

Hope Farm by Peggy Frew

‘Hope Farm’ by Peggy Frew
Fictional tale of a 13-year-old girl and her single mother living in a hippy commune in the 1980s.

Everywhere I Look by Helen Garner

Everywhere I Look’ by Helen Garner
Collection of essays spanning 15 years of Garner’s journalistic career.

What came before by Anna George

‘What Came Before’ by Anna George
Disturbing psychological thriller about a woman murdered by her husband.

Goodbye Sweetheart by Marion Halligan

‘Goodbye Sweetheart’ by Marion Halligan
Unexpectedly charming tale about one man’s untimely death and the effect it has on his loved ones.

The Dry

‘The Dry’ by Jane Harper
Compelling crime story set in rural Australia during the height of the worst drought in living memory.

A few days in the country and other stories by Elizabeth Harrower

‘A Few Days in the Country and Other Stories’ by Elizabeth Harrower
Collection of exquisitely written short stories mostly about women trying to find their place in the world.

Snake by Kate Jennings

‘Snake’ by Kate Jennings
Deeply affecting portrait of a marriage between two incompatible people in postwar Australia.

The Landing

‘The Landing’ by Susan Johnson
Delightfully funny and poignant story about a newly divorced man trying to recalibrate his life.

A Guide to Berlin by Gail Jones

‘A Guide to Berlin’ by Gail Jones
Unusual tale about six Vladimir Nabokov fans from around the world who gather in Berlin to share stories about themselves.

The Family by Chris Johnston and Rosie Jones

‘The Family’ by Chris Johnson and Rosie Jones
An eye-opening work of investigative journalism looking at a cult led by a woman who believed she was the female reincarnation of Jesus Christ.

Leap by Myfanwy Jones

‘Leap’ by Myfanwy Jones
A story about grief, marriage and parkour set in Melbourne’s inner suburbs.

The world without us by Mireille Juchau

 ‘The World Without Us’ by Mireille Juchau
Beautifully constructed novel about family secrets, love, loss, parenthood and community set in rural NSW.

The Golden Age by Joan London

‘The Golden Age’ by Joan London
Story set in a children’s convalescent home during a polio outbreak in the mid-1950s.

The Mint Lawn by Gillian Mears

‘The Mint Lawn’ by Gillian Mears
Award-winning novel about a young woman trapped in a small town with a husband she no longer loves.

The Latte Years by Phil Moore

‘The Latte Years’ by Philippa Moore
Frank and engaging memoir about Moore’s struggle to lose weight, build self-confidence and live what she calls an “authentic life”.

When the night comes

‘When the Night Comes’ by Favel Parrett
Two intertwined stories about grief, kindness and life on an Antarctic supply ship.

Wild Man by Alecia Simmonds

‘Wild Man’ by Alecia Simmonds
A compelling true crime story that follows the coronial inquest into the death of a mentally unstable man shot dead by police on a remote farm.

A Pure Clear Light by Madeleine St John

A Pure Clear Light’ by Madeleine St John
A domestic black comedy about middle-class life in 1990s London.

Reckoning by Magda Szubanski

‘Reckoning’ by Magda Szubanski
Extraordinary memoir about Szubanksi’s life lived in the shadows of her father’s war-time activities in Poland.

Dying A Memoir by Cory Taylor

‘Dying: A Memoir’ by Cory Taylor
Heartfelt and brutally frank memoir by a leading Australian author diagnosed with terminal cancer.

Salt Creek

‘Salt Creek’ by Lucy Treloar
Superb historical novel about one family’s attempt to settle in a remote area on the South Australian coast and the dreadful, heartbreaking repercussions that follow.

Hush Little Bird by Nicole Trope

‘Hush, Little Bird’ by Nicole Trope
Deliciously suspense-filled tale about two women sent to prison for two separate but shocking crimes.

Hot Little Hands

‘Hot Little Hands’ by Abigail Ulman
Effortlessly readable collection of short stories about teenage girls or young women trying to find their way in the world.

The media and the massacre by Sonya Voumard

‘The Media and the Massacre’ by Sonya Voumard
A hard-hitting look at the relationship between journalists and their subjects in the context of Tasmania’s Port Arthur massacre.

The Natural Way of Things by Charlotte Wood

The Natural Way of Things’ by Charlotte Wood
Award-winning dystopian novel set in a remote prison for women who have been sexually shamed.

Small Acts of Disappearance: Essays on Hunger by Fiona Wright

‘Small Acts of Disappearance’ by Fiona Wright
Surprisingly gripping collection of 10 essays about the author’s struggle with an eating disorder.

Have you read any of these books? Or care to share a great read by an Australian woman writer? Or any woman writer, regardless of nationality?

By the way, I plan on signing up for the 2017 Australian Women’s Writers Challenge in the New Year. If you want to join me, you can sign up via the official website.

10 books, Book lists

10 books on the International Dublin Literary Award longlist 2017

10-booksIt’s that time of year again: the longlist for the 2017 International Dublin Literary Award, the world’s richest literary prize, has been announced.

There are 147 titles on the list — from all corners of the world — all of which have been nominated by librarians, making it a proper “readers’ prize”.

You may remember that last year I put together a list of books on the 2016 list, which was hugely popular, so I thought I’d do the same again this year. I’ve focused on the titles that come from the countries I like to champion on this blog: Australia, Canada and Ireland.

The books have been arranged in alphabetical order by author surname. Click on each book title to read my review in full.

Fifteen dogs

Fifteen Dogs by André Alexis (Canadian)
The winner of the 2015 Giller Prize, this strange and surreal novel follows the antics of 15 dogs who, overnight, are granted the power of language and reasoning and then follows what happens to them.

Beatlebone by Kevin Barry

Beatlebone by Kevin Barry (Irish)
The winner of the 2015 Goldsmiths Prize and my favourite read from last year, this book charts one man’s midlife crisis as he searches for the Irish island he bought years earlier but has never properly visited.

Spill Simmer Falter Weather

Spill Simmer Falter Wither by Sara Baume (Irish)
This beautifully written debut novel follows the up-and-down relationship, over the course of a year, between a troubled man and the viscious rescue dog he has adopted.

Under major domo minor

Undermajordomo Minor by Patrick deWitt (Canadian)
This is a dark, often funny, Gothic fairy tale about a young man who experiences many strange things when he begins working for the “majordomo” of a creepy castle in a remote village.

The Green Room

The Green Road by Anne Enright (Irish)
A family drama-cum-black-comedy, this prize-winning novel follows the lives of four siblings and their needy, domineering mother over the course of 25 years.

Hope Farm by Peggy Frew

Hope Farm by Peggy Frew (Australian)
This is an engaging story about a 13-year-old girl being brought up in the 1980s by a single mother living in a hippy commune.

The World Without Us by Mireille Juchau

The World Without Us by Mireille Juchau (Australian)
An environmental novel, or perhaps even a cli-fi one, this is a beautifully constructed tale about family secrets, love, loss, parenthood and community set in a rural village in northern New South Wales.

The Little Red Chairs

The Little Red Chairs by Edna O’Brien (Irish)
War crimes, retribution and justice are the central themes of this novel, which looks at the long-lasting impact of the Siege of Sarajevo and focuses on a (fictional) war criminal who goes into hiding in a small Irish village.

Salt Creek

Salt Creek by Lucy Treloar (Australian)
A superb historical novel, Salt Creek tells the story of one family’s attempt to settle and tame a remote region on the South Australian coast in the mid-19th century, and the dreadful, heartbreaking repercussions that follow.

The Natural Way of Things by Charlotte Wood

The Natural Way of Things by Charlotte Wood (Australian)
The winner of this year’s Stella Prize, this anger-fuelled dystopian tale set in the Australian outback focuses on misogyny and sexual shaming.

The prize shortlist will be published on 11 April 2017, and the winner will be announced on 21 June. To find out more, and to view the longlist in full, please visit the official website.

Have you read any of these books? Or others from the extensive longlist?

2016 Miles Franklin Literary Award

The 2016 Miles Franklin Literary Award longlist

Miles Franklin Literary AwardEarlier today the longlist for this year’s Miles Franklin Literary Award was announced. The prize is awarded each year to a novel which is of the highest literary merit and presents Australian life in any of its phases.

Unfortunately, because the new official website is so badly designed and so lacking in content I can’t tell you when the shortlist will be announced nor when the winner will be named. I can’t even tell you how much money the prize is worth to the winning author. I can, however, tell you who the sponsor* is, but I’ll be blowed if I’m going to give them a plug when the website doesn’t appear to have us readers in mind — it seems more concerned with promoting itself rather than the award and doesn’t even bother to name the publishers of each longlisted title.

Anyway, now that my rant is over, here are the books on the list in alphabetical order by author’s surname. Hyperlinks will take you to my review in full and I’ve included availability information for UK readers:

Ghost River by Tony Birch

Ghost River by Tony Birch (UQP)
‘You find yourself down at the bottom of the river, for some it’s time to give into her. But other times, young fellas like you two, you got to fight your way back. Show the river you got courage and is ready to live.’ The river is a place of history and secrets. For Ren and Sonny, two unlikely friends, it’s a place of freedom and adventure. For a group of storytelling vagrants, it’s a refuge. And for the isolated daughter of a cult reverend, it’s an escape. Each time they visit, another secret slips into its ancient waters. But change and trouble are coming — to the river and to the lives of those who love it. Who will have the courage to fight and survive and what will be the cost?
This book is available in the UK in paperback and ebook editions.

Coming Rain by Stephen Daisley

Coming Rain by Stephen Daisley (Text)
Western Australia, the wheatbelt. Lew McLeod has been travelling and working with Painter Hayes since he was a boy. Shearing, charcoal burning — whatever comes. Painter made him his first pair of shoes. It’s a hard and uncertain life but it’s the only one he knows. But Lew’s a grown man now. And with this latest job, shearing for John Drysdale and his daughter Clara, everything will change.
This book is available in the UK in paperback and ebook editions.

Hope Farm by Peggy Frew

Hope Farm by Peggy Frew (Scribe)
It is the winter of 1985. Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver’s mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new start. At Hope, Silver finds unexpected friendship and, at last, a place to call home. But it is also here that, at just thirteen, she is thrust into an unrelenting adult world — and the walls begin to come tumbling down, with deadly consequences.
Published in the UK  in ebook and audio book. The paperback will be published on 9 June.

Leap by Myfanwy Jones

Leap by Myfanwy Jones (Allen & Unwin)
Joe lives-despite himself. Driven by the need to atone for the neglect of a single tragic summer’s night, he works at nothing jobs and, in his spare time, trains his body and mind to conquer the hostile environment that took his love and smashed up his future. So when a breathless girl turns up on the doorstep, why does he let her in? Isn’t he done with love and hope? On the other side of the city, graphic designer Elise is watching her marriage bleed out. She retreats to the only place that holds any meaning for her-the tiger enclosure at the zoo-where, for reasons she barely understands, she starts to sketch the beautiful killers.
Not available in the UK, but you can buy direct from the publisher.

The world without us by Mireille Juchau

The World Without Us by Mireille Juchau (Bloomsbury)
It has been six months since Tess Müller stopped speaking. Her silence is baffling to her parents, her teachers and her younger sister Meg, but the more urgent mystery for both girls is where their mother, Evangeline, goes each day, pushing an empty pram and returning home wet, muddy and dishevelled. Their father, Stefan, struggling with his own losses, tends to his apiary and tries to understand why his bees are disappearing. But after he discovers a car wreck and human remains on their farm, old secrets emerge to threaten the fragile family.
Published in the UK in hardcover and ebook.

The Hands by Stephen Orr

The Hands: An Australian Pastoral by Stephen Orr
On a cattle station that stretches beyond the horizon, seven people are trapped by their history and the need to make a living. Trevor Wilkie, the good father, holds it all together, promising his sons a future he no longer believes in himself. The boys, free to roam the world’s biggest backyard, have nowhere to go. Trevor’s father, Murray, is the keeper of stories and the holder of the deed. Murray has no intention of giving up what his forefathers created. But the drought is winning. The cattle are ribs. The bills keep coming. And one day, on the way to town, an accident changes everything.
Not available in the UK, but you can buy direct from the publisher.

black-rock-white-city

Black Rock White City by A.S. Patrić (Transit Lounge)
During a hot Melbourne summer Jovan’s cleaning work at a bayside hospital is disrupted by acts of graffiti and violence becoming increasingly malevolent. For Jovan the mysterious words that must be cleaned away dislodge the poetry of the past. He and his wife Suzana were forced to flee Sarajevo and the death of their children. Intensely human, yet majestic in its moral vision, Black Rock White City is an essential story of Australia’s suburbs now, of displacement and immediate threat, and the unexpected responses of two refugees as they try to reclaim their dreams. It is a breathtaking roar of energy that explores the immigrant experience with ferocity, beauty and humour.
This book is available in the UK in ebook; the paperback edition can be purchased direct from the publisher.

Salt-creek

Salt Creek by Lucy Treloar (Pan MacMillan Australia)
Salt Creek, 1855, lies at the far reaches of the remote, beautiful and inhospitable coastal region, the Coorong, in the new province of South Australia. The area, just opened to graziers willing to chance their luck, becomes home to Stanton Finch and his large family, including fifteen-year-old Hester Finch. Once wealthy political activists, the Finch family has fallen on hard times. Cut adrift from the polite society they were raised to be part of, Hester and her siblings make connections where they can: with the few travellers that pass along the nearby stock route – among them a young artist, Charles – and the Ngarrindjeri people they have dispossessed. Over the years that pass, and Aboriginal boy, Tully, at first a friend, becomes part of the family. Stanton’s attempts to tame the harsh landscape bring ruin to the Ngarrindjeri people’s homes and livelihoods, and unleash a chain of events that will tear the family asunder. As Hester witnesses the destruction of the Ngarrindjeri’s subtle culture and the ideals that her family once held so close, she begins to wonder what civilization is. Was it for this life and this world that she was educated?
Not available in the UK, but you can buy direct from the publisher.

The Natural Way of Things by Charlotte Wood

The Natural Way of Things by Charlotte Wood (Allen & Unwin)
Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert in a story of two friends, sisterly love and courage – a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a ‘nurse’. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl’s past is a sexual scandal with a powerful man. They pray for rescue, but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.
Only published in Australia; due to be published in the UK on 2 June.

Note that Lisa Hill has a round-up post, including links to reviews, on her blog AnzLitLovers.

Have you read any of these books? Or have any piqued your interest?

* Update on 6 April: I now realise this isn’t the sponsor, but the trustee of the award, but my point about self-promotion still stands.

2016 Stella Prize, Australia, Author, AWW2016, Book review, Fiction, literary fiction, Peggy Frew, Publisher, Reading Australia 2016, Scribe, Setting

‘Hope Farm’ by Peggy Frew

Hope Farm by Peggy Frew

Fiction – Kindle edition; Scribe; 262 pages; 2015.

In 2011, I read Peggy Frew’s debut novel, House of Sticks, and very much enjoyed the tale of a young woman juggling motherhood and a messy domestic life with her return to the music business. Her second novel, Hope Farm, published in Australia last year, looks at parenthood from a different angle: that of a 13-year-old girl being brought up in the 1980s by a single mother living in a hippy commune.

Two lives, two stories intertwined

The tale is told from two perspectives: Silver, who is an intelligent child in awe of her beautiful mother, and Ishtar, who fell pregnant as a teenager at a time when having children out of wedlock was frowned upon. Their narratives are intertwined but begin at completely different times: Silver is now an adult looking back on her life; Ishtar’s story comes in the form of “diary entries” which date from the 1970s and move forward.

The story, however, is largely about Silver, who moves from place to place with her mother, as the pair seek shelter in a variety of ashrams and communes, mainly in Queensland. When Ishtar falls in love with an enigmatic man called Miller, the trio move to a commune in rural Victoria. Here, Silver goes to a local high school, where she is picked on for being a “hippy”, and befriends another bullied teenager, the old-before-his-time Ian, whom she secretly hangs out with after hours.

Life in the commune, which is named Hope Farm, is relatively stable (despite the drug-taking and the alcohol consumption), but there are domestic complications when Miller’s ill wife moves in. For the first time, Silver must confront the idea that her mother is far from perfect and does not always have her daughter’s best interests at heart. When she begins to see the adults around her behaving badly, Silver realises that her once safe, if slightly unconventional world, could potentially come crashing down around her…

Great characters, detail and pacing

Admittedly, as much as I enjoyed this novel, I’m struggling to say much about it in this review. Yes, the characterisation is very good — Silver feels very much like a child on the cusp of adulthood whom you want to protect and Ishtar is annoyingly selfish but “lost” in a way that she doesn’t even seem to understand — and the narrative is a good balance of evocative detail (capturing both the period and the setting), pace and dialogue. The voices of the two lead characters are also strong and distinctive (I particularly liked the way in which Ishar’s lack of education is reflected in her grammatical errors and often stilted English).

But there’s something about the story that never quite rings true — perhaps it’s Ishtar’s family, who so cruelly cut her off when she has her baby and never reveal her secret to Ishtar’s younger sibling, or maybe it’s the way in which Miller is written out of the story in a way that seems false? Whatever the case, and as much as I got caught up in the relationship between mother and daughter, and had my heart-strings pulled by both characters for different reasons, Hope Farm left me with a so what? feeling at the end.

It has been shortlisted for the 2016 Stella Prize, so it will be interesting to see if the judges see more to this book than I did. It’s a good read — about motherhood, childhood bonds, alternative lifestyles, societal expectations and sexual relationships — but it’s not an exceptional one.

In 2012, Peggy Frew was kind enough to participate in Triple Choice Tuesday on this blog. You can read her choices here.

This is my 15th book for #ReadingAustralia2016 and my 11th for #AWW2016.

This book will published in paperback in the UK on 9 June. If you can’t wait that long, the Kindle edition is already available in both the UK and US.

2016 Stella Prize

The 2016 Stella Prize shortlist

In the early hours of the morning London time, the shortlist for the 2016 Stella Prize was announced in Australia. I made a stab at guessing what would be on it beforehand — on the Reading Matters Facebook page — but I only guessed three out of the six.

2016 Stella Prize shortlisted titles

Stella Prize shortlistThe shortlisted titles are:

  1. Six Bedrooms by Tegan Bennett Daylight (Random House)
  2. Hope Farm by Peggy Frew (Scribe)
  3. A Few Days in the Country And Other Stories by Elizabeth Harrower (Text)
  4. The World Without Us by Mireille Juchau (Bloomsbury)
  5. The Natural Way of Things by Charlotte Wood (Allen & Unwin)
  6. Small Acts of Disappearance: Essays on Hunger by Fiona Wright (Giramondo)

On first impressions, it looks like a relatively mixed list, but actually two books are about hippy communes (The World Without Us and Hope Farm) and two are short story collections (Six Bedrooms and A Few Days in the Country and Other Stories). The fifth book is a dystopian novel, the sixth a collection of essays. It seems to me that the judges will have their work cut out from them, because how do you compare oranges to apples?

The $50,000 prize is for Australian women writers and only books, both fiction and non-fiction, published between 1 January 2015 and 31 December 2015 were eligible. You can read the full announcement on the official website.

The winner will be announced on 19 April.

Triple Choice Tuesday

Triple Choice Tuesday: Peggy Frew

Triple-Choice-TuesdayWelcome to Triple Choice Tuesday. This is where I ask some of my favourite bloggers, writers and readers to share the names of three books that mean a lot to them. The idea is that it might raise the profile of certain books and introduce you to new titles, new authors and new bloggers.

Today’s guest is Australian writer Peggy Frew, whose short story Home Visit won The Age short story competition in 2008.

Since then she has been published in New Australian Stories 2, Kill Your Darlings and Meanjin.

Her debut novel House of Sticks, which I reviewed late last year, won the 2010 Victorian Premier’s Literary Award for an unpublished manuscript.

Peggy is also a member of the critically acclaimed and award-winning Melbourne band Art of Fighting.

Without further ado, here’s Peggy’s Triple Choice Tuesday selections:


Mint-LawnA favourite book: The Mint Lawn by Gillian Mears

My mother gave me this book — Mears’ debut novel — when I was a teenager, and I can still remember reading it in my winter-cold Melbourne bedroom and being transported to Mears’ small-town northern New South Wales, a world of languorous warm rivers and secret lives. I have returned to The Mint Lawn many times over the years, and it’s worked its magic every time.

Everything Mears touches with her words turns to gold. She brings poetry to even the most unsavoury or upsetting ideas and themes: infidelity, loss and grief, sexual relationships of a reasonably disturbing nature. And a different, raw, kind of beauty is to be found in her fearless examination of the interior lives of her characters.

One of her many strengths is her ability to invest emotion in minor, perfectly observed, details. In the opening scene main character Clementine — in her early twenties and already unhappily married to her former music teacher — presses a coffee plunger into wet grounds, and in this small act Mears somehow conveys a world of sadness and desperation. The Mint Lawn is one of my favourite books, and Gillian Mears one of my favourite writers.


Great-GatsbyA book that changed my world: The Great Gatsby by F. Scott Fitzgerald

Like many people, I studied this book at secondary school. I had a wonderful literature teacher — a true inspiration; someone who genuinely loved his job — and I will always associate the words of F. Scott Fitzgerald with that teacher’s gentle, precise voice. I think The Great Gatsby was the first book I really took apart and understood from a craft perspective. Reading it — and studying it under the guidance of that teacher — changed my world because it showed me, in one neat package, all the many things that a great book can do.

It taught me about voice, about the power of the narrator, and how close the author brings the reader to the narrator, and how much of what lies beyond is revealed, and when, and how clearly. It taught me about the assiduous use of motifs and symbols. About characterisation, dialogue, structure, pace and plot. And about mirroring larger themes in the up-close action. And of course the synchronicity of all these things in action, the momentum of them as they move together like muscles and drive the story forward. Of course I’ve observed these mechanics many times since in other books, but seeing and understanding them for the first time was a very significant experience.


Rocks_in_the_belly A book that deserves a wider audience: Rocks in the Belly by Jon Bauer

This novel, published in 2010, was longlisted for a couple of big awards, won the 2011 Indie Award for Debut Fiction and was very well reviewed. But I think it deserves to have been read — and talked about — by more of the general reading public. It’s a challenging book, but Bauer does the weighty subject matter justice.

Rocks in the Belly explores the darker side of family life, raising difficult questions about love and need as we follow the relationship between a precocious child and a damaged mother living with the legacy of enormous personal tragedy, and destined for more. There is tremendous darkness here, but Bauer is able to balance it skilfully with splashes of beauty and hope, and also some very effective, if grim, humour. Bauer’s unnamed protagonist, who we meet in alternating narratives both as a boy and as a man, is a compellingly complex character, and so masterfully drawn it’s possible to maintain compassion for him no matter how close to the edge of likability he is taken. On all levels — plot, characterisation, line-by-line writing — this really is a very satisfying novel, and it’s hard to believe it’s Bauer’s first.

Thanks, Peggy, for taking part in my Triple Choice Tuesday.

Having just read Mears’ latest novel, I’m keen to read her first, so am grateful to Peggy for choosing it and so warmly recommending it. The Great Gatsby is an old favourite, but I’ve not read Rocks in the Belly, although do very much remember reading the review at ANZ LitLovers and adding it to my wishlist.

What do you think of Peggy’s choices? Have you read any of these books?

Australia, Author, Book review, Fiction, literary fiction, Peggy Frew, Publisher, Scribe, Setting

‘House of Sticks’ by Peggy Frew

House-of-Sticks

Fiction – paperback; Scribe; 275 pages; 2011. Review copy courtesy of the publisher.

It’s been a long time since I’ve read what I would term a “domestic novel”, one that concentrates on marriage, family and friendship. It’s not that I have been avoiding these types of stories, it’s just that everything I have picked up lately has been focused on bigger, more “worldly” themes. And yet there’s something universal about the domestic novel, something with which we can all identify, that I enjoy reading.

We all live in households, are in relationships, and it is here, in our private realm, that most of our personal dramas, traumas, tragedies and triumphs take place. And no one household, or family, is the same as another. Here, then, is a rich seam of material for the novelist to mine.

Australian writer Peggy Frew does just that. She sets her debut novel, House of Sticks, in what appears to be the rather cosy domestic world of suburban Melbourne, but — just like the house of sticks of the title — the fragility of the marital home is threatening to fall apart.

Tension at home

Bonnie is 34, her partner Pete is 42, and they have three children — four-year-old fraternal twins Edie and Louie, and five-month-old baby Jess. Pete is a furniture maker who works from home and Bonnie has given up a successful music career as a guitarist in a rock band to be a stay-at-home mum.

But their happy household is rife with unspoken tensions, compromises and resentments. These come to the fore when Doug, an older school friend of Pete’s, insinuates himself into their lives after a year’s absence. He’s a drifter with no real home, no income and no responsibilities — Bonnie describes him as a “lost soul” — so Pete employs him to do odd jobs in his workshop.

But there is history between them. (Doug once worked for Pete and cocked up an order that left Pete substantially out of pocket. And Pete puts up with Doug out of a sense of misplaced loyalty — and guilt — resulting from a violent incident which happened in their youth.) That history, however, does not apply to Bonnie, and she finds Doug’s presence worrying and creepy.

Here’s how she describes him to her mother:

‘Well, he’s driving me crazy. He turns up at seven-thirty, sits around the kitchen eating porridge that Pete makes for him. And I’m trying to get the kids organised and he just keeps playing with them and — Oh, it doesn’t sound that bad when I say it, but…’ She pushed back her hair. ‘It’s not what he does, it’s just him — he’s really intrusive. You know, watches everything you do and has some comment ready. Makes these jokes that are actually jibes at me, and… or, I don’t know, maybe I’m just paranoid. Maybe I’m sensitive to everything he says now, ’cause I’ve tuned into it.’

Effectively, Doug makes Bonnie feel uncomfortable in her own home. If she’s been out and returns to see his van parked in front of their house, she will drive off again and occupy herself elsewhere — take the kids to a park, visit the supermarket — in order to avoid him.

On top of this, she is feeling overwhelmed by motherhood and is resentful of friends who have better support networks in place. Bonnie’s mother, Suzanne, is very hands off and despite living close by only sees her grandchildren for an hour a week — at the swimming pool. There’s an unspoken tension between mother and daughter that resonates off the page.

And there’s tension between Pete and Bonnie, too. Neither has the gumption to confront Doug and to put boundaries in place — Bonnie writes her feelings off as meanness and admires Pete’s generosity in helping a friend. But by never addressing the issues at hand, the issues continue to simmer unabated.

They only threaten to boil over when Bonnie takes up an opportunity to play in her old band for a one-night-only performance — in Sydney. Here, back up on stage, doing the thing she loves, and then celebrating at a boozy after party, Bonnie must weigh up her current life as a stressed-out mother with her past life as a free spirit. Has she made the right choice? Is motherhood — and her relationship with Pete — worth the effort?

Mothers and music

Frew’s depiction of both motherhood — messy, chaotic, overwhelming — and the music business — chaotic, exciting and fun — are exceptionally authentic, probably because she has experience in both: she was formerly a bassist in the indie band Art of Fighting and later left to have children.

Her prose style is effortless, although some of the dialogue occasionally feels stilted and over-explained. And the third-person narrative brims with tension as the sense of dread builds and builds. It works because you’re never quite sure if the paranoia is all in Bonnie’s head or whether her concerns — about her mother, Doug and her marriage — are legitimate.

The characters are all well drawn, believable and flawed. As they cruise on through life in their impassiveness — “It was easier just to press on like this, to retreat into wounded distance” — Frew demonstrates how quickly normal life can unravel before anyone realises the damage that has been done.

As a portrait of domestic bliss tinged with paranoia, House of Sticks is a top-class read.